'Round Midnight in F

Cootie Williams, Thelonious Monk(1944)balladSlowly
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Chord Diagrams — 'Round Midnight in F (Guitar)

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'Round Midnight in F

Round Midnight in F: Monk's late-night masterpiece chains minor key areas with brooding ii-V motion. Dorian and Harmonic Minor define the tonality while Locrian shadows the half-diminished chords — play it slow and let the dissonance breathe. Chords: C7 – Fm – Dm7b5 – Gm7b5 – Fm7 – A#7 – C#m7 – F#7 – Cm7 – F7 – A#m7 – D#7 – C#7 – G7b9 – G#Maj7 – Cb7.

'Round Midnight in F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through C to F (ascending perfect fourth), F to D (descending minor third), D to G (ascending perfect fourth), G to F (descending whole step), F to A# (ascending perfect fourth), A# to C# (ascending minor third), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to G (ascending tritone), G to G# (ascending half step), G# to Cb (ascending major third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from Cb to C by unison.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 41 bars · Form: AABA

Chords: C7, Fm, Dm7♭5, Gm7♭5, Fm7, A♯7, C♯m7, F♯7, Cm7, F7, A♯m7, D♯7, C♯7, G7♭9, G♯Maj7, C♭7.

Scales for Improvisation F dorian, F locrian, F harmonic minor, F minor pentatonic, F bebop minor, F bebop.

Diatonic chords: See all chords in the key of F