'Round Midnight in Mi

'Round Midnight in Mi

Round Midnight in E: Monk's late-night masterpiece chains minor key areas with brooding ii-V motion. Dorian and Harmonic Minor define the tonality while Locrian shadows the half-diminished chords — play it slow and let the dissonance breathe. Chords: G#m – G#m/D – G#m/Db – Fdim7 – C#m7 – F#7 – Fm7b5 – Em7 – A7 – D#m7 – G#7 – A#7b9 – E7 – D#7 – A#m7b5.

'Round Midnight in Mi

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G# to G# (ascending unison), G# to G# (ascending unison), G# to F (descending minor third), F to C# (descending major third), C# to F# (ascending perfect fourth), F# to F (descending half step), F to E (descending half step), E to A (ascending perfect fourth), A to D# (ascending tritone), D# to G# (ascending perfect fourth), G# to A# (ascending whole step), A# to E (ascending tritone), E to D# (descending half step), D# to A# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to G# by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.