'Round Midnight in Re

'Round Midnight in Re

Round Midnight in D: Monk's late-night masterpiece chains minor key areas with brooding ii-V motion. Dorian and Harmonic Minor define the tonality while Locrian shadows the half-diminished chords — play it slow and let the dissonance breathe. Chords: F#m – F#m/D – F#m/Db – D#dim7 – Bm7 – E7 – D#m7b5 – Dm7 – G7 – C#m7 – F#7 – G#7b9 – D7 – C#7 – G#m7b5.

'Round Midnight in Re

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to F# (ascending unison), F# to F# (ascending unison), F# to D# (descending minor third), D# to B (descending major third), B to E (ascending perfect fourth), E to D# (descending half step), D# to D (descending half step), D to G (ascending perfect fourth), G to C# (ascending tritone), C# to F# (ascending perfect fourth), F# to G# (ascending whole step), G# to D (ascending tritone), D to C# (descending half step), C# to G# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to F# by whole step.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.