Peace in E

Horace Silver(1959)ballad
Do Re MiC D E
A
G7♭9♯5
C7♭9♯5
C♭Maj7
D♯7♯5
D♯13
G♯Maj9
C♭9♯11
C♭7♯9♯11
G9♯11
G7♯9♯11
FMaj9

Chord Diagrams — Peace in E (Guitar)

Display
FingerNoteDegree
D♯9
EADGBExx132
5frEADGBE2222x110frEADGBE3142xx11frEADGBE111324
Em7♭5
EADGBE33312
7frEADGBEx1324x8frEADGBE11xx2411frEADGBE2x341x
G7♭9♯5
G - B - D♯ - F - A♭
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
C7♭9♯5
C - E - G♯ - B♭ - D♭
Gm7♭5
EADGBE3xx421
EADGBE2x341x5frEADGBE222xx110frEADGBEx1324x
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
FMaj7
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
B9
EADGBE2222x1
4frEADGBE1114327frEADGBE1113248frEADGBExx2143
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
D♯7♯5
EADGBExx1423
6frEADGBE11x4329frEADGBE324111frEADGBE1x234x
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
A♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
G♯Maj9
B9♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
B7♯9♯11
B - E♭ - G♭ - A - D - F
G9♯11
EADGBE111234
5frEADGBExx12349frEADGBE11x23410frEADGBE111x23
G7♯9♯11
G - B - D - F - A♯ - C♯
FMaj9

Peace in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D# to E (ascending half step), E to G (ascending minor third), G to D (descending perfect fourth), D to C (descending whole step), C to G (descending perfect fourth), G to Cb (ascending perfect fourth), Cb to F (ascending perfect fourth), F to B (ascending tritone), B to F# (descending perfect fourth), F# to C# (descending perfect fourth), C# to E (ascending minor third), E to D# (descending half step), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to G# (descending whole step), G# to Cb (ascending major third), Cb to Cb (ascending unison), Cb to G (descending perfect fourth), G to G (ascending unison), G to F (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to D# by whole step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 11 bars · Form: A

Chords: D♯9, Em7♭5, G7♭9♯5, Dm7, C7♭9♯5, Gm7♭5, C♭Maj7, FMaj7, B9, F♯m7, C♯m7, EMaj7, D♯7♯5, D♯13, A♯m7♭5, G♯Maj9, C♭9♯11, C♭7♯9♯11, G9♯11, G7♯9♯11, FMaj9.

Scales for Improvisation E bebop minor, E bebop.

Diatonic chords: See all chords in the key of E