Peace in F#

Horace Silver(1959)swing
Do Re MiC D E
A
A7♭9♯5
C♭Maj7
D7♭9♯5
F13
F7♯5
A♯Maj9
A7♯9♯11
A9♯11
C♭7♯9♯11
C♭9♯11
GMaj9

Chord Diagrams — Peace in F# (Guitar)

Display
FingerNoteDegree
F♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
F9
EADGBE111324
EADGBExx21437frEADGBE22222110frEADGBE1111x2
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
A7♭9♯5
A - C♯ - F - G - B♭
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
Am7♭5
EADGBEx23x
4frEADGBE2x341x5frEADGBE1112347frEADGBE222xx1
D7♭9♯5
D - F♯ - A♯ - C - E♭
GMaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯9
EADGBE222221
8frEADGBE3142xx9frEADGBE11132410frEADGBExx2143
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
Cm7♭5
EADGBEx1324x
4frEADGBE11xx248frEADGBE11123410frEADGBE333xx1
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
F7♯5
EADGBE1234x
3frEADGBExx14238frEADGBE11x43212frEADGBE213x4x
A♯Maj9
A7♯9♯11
A - C♯ - E - G - C - D♯
A9♯11
EADGBEx13
4frEADGBE1112347frEADGBExx123411frEADGBE11x234
B7♯9♯11
B - E♭ - G♭ - A - D - F
B9♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
GMaj9

Peace in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to F (descending half step), F to E (descending half step), E to A (ascending perfect fourth), A to Cb (ascending minor third), Cb to A (descending minor third), A to D (ascending perfect fourth), D to G (ascending perfect fourth), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to D# (descending minor third), D# to C (descending minor third), C to F (ascending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to A (descending half step), A to A (ascending unison), A to Cb (ascending minor third), Cb to Cb (ascending unison), Cb to G (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to F# by half step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 11 bars · Form: A

Chords: F♯m7♭5, F9, Em7, A7♭9♯5, C♭Maj7, Am7♭5, D7♭9♯5, GMaj7, G♯m7, C♯9, F♯Maj7, D♯m7, Cm7♭5, F13, F7♯5, A♯Maj9, A7♯9♯11, A9♯11, C♭7♯9♯11, C♭9♯11, GMaj9.

Scales for Improvisation F# bebop minor, F# bebop.

Diatonic chords: See all chords in the key of F#