Do Re MiC D E

Peace

Horace Silver(1959)2/2ballad
D7♭9♯5
G7♭9♯5
C♭Maj7
A♯7♯5
A♯13
D♯Maj9
C♭9♯11
C♭7♯9♯11
D9♯11
D7♯9♯11
CMaj9

Chord Diagrams — Peace in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯9
5frEADGBE11234x
EADGBEx1234
6frEADGBE111324
12frEADGBEx21333
Bm7♭5
6frEADGBE2x341x
EADGBEx1324x
7frEADGBE111234
9frEADGBE222xx1
D7♭9♯5
D - F♯ - A♯ - C - E♭
Am7
7frEADGBE11x423
EADGBEx21
EADGBEx2314
5frEADGBE111113
G7♭9♯5
G - B - D♯ - F - A♭
Dm7♭5
8frEADGBEx1432
EADGBE111xx
3frEADGBE11x342
5frEADGBEx1324x
BMaj7
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
CMaj7
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
F♯9
3frEADGBExx2143
EADGBE111324
8frEADGBE221334
11frEADGBE1111x2
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
BMaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
A♯7♯5
6frEADGBE1x234x
EADGBE11x432
8frEADGBExx1423
12frEADGBEx213x4
A♯13
6frEADGBE111234
EADGBE44x12
4frEADGBE1132
12frEADGBE44x213
Fm7♭5
8frEADGBEx1324x
EADGBE1x23x
EADGBE222xx1
11frEADGBE2134x
D♯Maj9
B9♯11
6frEADGBE2x341x
EADGBE11x234
EADGBE111x23
9frEADGBExx1234
B7♯9♯11
B - E♭ - G♭ - A - D - F
D9♯11
7frEADGBEx3142
EADGBExx123
4frEADGBE11x234
9frEADGBE111234
D7♯9♯11
D - F♯ - A - C - F - G♯
CMaj9

Explore More

Peace in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through A# to B (ascending half step), B to D (ascending minor third), D to A (descending perfect fourth), A to G (descending whole step), G to D (descending perfect fourth), D to Cb (descending whole step), Cb to C (ascending unison), C to F# (ascending tritone), F# to C# (descending perfect fourth), C# to G# (descending perfect fourth), G# to B (ascending minor third), B to A# (descending half step), A# to A# (ascending unison), A# to F (descending perfect fourth), F to D# (descending whole step), D# to Cb (descending minor third), Cb to Cb (ascending unison), Cb to D (ascending whole step), D to D (ascending unison), D to C (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to A# by whole step.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 11 bars · Form: A

Chords: A♯9, Bm7♭5, D7♭9♯5, Am7, G7♭9♯5, Dm7♭5, C♭Maj7, CMaj7, F♯9, C♯m7, G♯m7, BMaj7, A♯7♯5, A♯13, Fm7♭5, D♯Maj9, C♭9♯11, C♭7♯9♯11, D9♯11, D7♯9♯11, CMaj9.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B