Peace in B

Horace Silver(1959)swing
Do Re MiC D E
A
D7♭9♯5
C♭Maj7
G7♭9♯5
A♯13
A♯7♯5
D♯Maj9
D7♯9♯11
D9♯11
C♭7♯9♯11
C♭9♯11
CMaj9

Chord Diagrams — Peace in B (Guitar)

Display
FingerNoteDegree
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x7frEADGBE1112349frEADGBE222xx1
A♯9
EADGBEx1234
5frEADGBE11234x6frEADGBE11132412frEADGBE2222x1
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
D7♭9♯5
D - F♯ - A♯ - C - E♭
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
Dm7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
G7♭9♯5
G - B - D♯ - F - A♭
CMaj7
EADGBE231
3frEADGBE1113245frEADGBE111xx410frEADGBE333xx1
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
F♯9
EADGBE111324
3frEADGBExx21438frEADGBE22222111frEADGBE1111x2
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
Fm7♭5
EADGBE1x23x
EADGBE222xx18frEADGBEx1324x11frEADGBE2134x
A♯13
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
A♯7♯5
EADGBE11x432
6frEADGBE1x234x8frEADGBExx142312frEADGBEx213x4
D♯Maj9
D7♯9♯11
D - F♯ - A - C - F - G♯
D9♯11
EADGBExx123
4frEADGBE11x2347frEADGBEx31429frEADGBE111234
B7♯9♯11
B - E♭ - G♭ - A - D - F
B9♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
CMaj9

Peace in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to A# (descending half step), A# to A (descending half step), A to D (ascending perfect fourth), D to Cb (descending whole step), Cb to D (ascending whole step), D to G (ascending perfect fourth), G to C (ascending perfect fourth), C to C# (ascending half step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to G# (descending minor third), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to D (descending half step), D to D (ascending unison), D to Cb (descending whole step), Cb to Cb (ascending unison), Cb to C (ascending unison). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to B by half step.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 11 bars · Form: A

Chords: Bm7♭5, A♯9, Am7, D7♭9♯5, C♭Maj7, Dm7♭5, G7♭9♯5, CMaj7, C♯m7, F♯9, BMaj7, G♯m7, Fm7♭5, A♯13, A♯7♯5, D♯Maj9, D7♯9♯11, D9♯11, C♭7♯9♯11, C♭9♯11, CMaj9.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B