Peace in G#

Horace Silver(1959)swing
Do Re MiC D E
A
B7♭9♯5
C♭Maj7
E7♭9♯5
G13
G7♯5
CMaj9
B7♯9♯11
B9♯11
C♭7♯9♯11
C♭9♯11
AMaj9

Chord Diagrams — Peace in G# (Guitar)

Display
FingerNoteDegree
G♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
G9
EADGBE31
EADGBE11234x3frEADGBE1113249frEADGBE222221
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B7♭9♯5
B - D♯ - G - A - C
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
Bm7♭5
EADGBEx1324x
6frEADGBE2x341x7frEADGBE1112349frEADGBE222xx1
E7♭9♯5
E - G♯ - C - D - F
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
D♯9
EADGBExx132
5frEADGBE2222x110frEADGBE3142xx11frEADGBE111324
G♯Maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
Dm7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
G7♯5
EADGBE4312
EADGBE1x234x5frEADGBExx142310frEADGBE11x432
CMaj9
B7♯9♯11
B - D♯ - F♯ - A - D - F
B9♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
B7♯9♯11
B - E♭ - G♭ - A - D - F
B9♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
AMaj9

Peace in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to G (descending half step), G to F# (descending half step), F# to B (ascending perfect fourth), B to Cb (ascending half step), Cb to B (descending half step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to A# (ascending half step), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to F (descending minor third), F to D (descending minor third), D to G (ascending perfect fourth), G to G (ascending unison), G to C (ascending perfect fourth), C to B (descending half step), B to B (ascending unison), B to Cb (ascending half step), Cb to Cb (ascending unison), Cb to A (descending minor third). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from A to G# by half step.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 11 bars · Form: A

Chords: G♯m7♭5, G9, F♯m7, B7♭9♯5, C♭Maj7, Bm7♭5, E7♭9♯5, AMaj7, A♯m7, D♯9, G♯Maj7, Fm7, Dm7♭5, G13, G7♯5, CMaj9, B7♯9♯11, B9♯11, C♭7♯9♯11, C♭9♯11, AMaj9.

Scales for Improvisation G# bebop minor, G# bebop.

Diatonic chords: See all chords in the key of G#