Peace in A#

Horace Silver(1959)ballad
Do Re MiC D E
A
C♯7♭9♯5
F♯7♭9♯5
C♭Maj7
A7♯5
A13
DMaj9
C♭9♯11
C♭7♯9♯11
C♯9♯11
C♯7♯9♯11
BMaj9

Chord Diagrams — Peace in A# (Guitar)

Display
FingerNoteDegree
A9
2frEADGBE431
EADGBE11x325frEADGBE11132411frEADGBE2222x1
A♯m7♭5
EADGBEx1324x
EADGBE11xx245frEADGBE2x341x8frEADGBE222xx1
C♯7♭9♯5
C♯ - F - A - B - D
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
F♯7♭9♯5
F♯ - A♯ - D - E - G
C♯m7♭5
4frEADGBEx1324x
5frEADGBE11xx248frEADGBE2x341x11frEADGBE222xx1
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
F9
EADGBE111324
EADGBExx21437frEADGBE22222110frEADGBE1111x2
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
A♯Maj7
EADGBE11x324
3frEADGBE111xx46frEADGBE1114238frEADGBE11333x
A7♯5
EADGBEx321
EADGBE11x235frEADGBE11x237frEADGBExx1423
A13
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
Em7♭5
EADGBE33312
7frEADGBEx1324x8frEADGBE11xx2411frEADGBE2x341x
DMaj9
B9♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
B7♯9♯11
B - E♭ - G♭ - A - D - F
C♯9♯11
EADGBEx213
4frEADGBE111x238frEADGBE1112349frEADGBE111123
C♯7♯9♯11
C♯ - F - G♯ - B - E - G
BMaj9

Peace in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A to A# (ascending half step), A# to C# (ascending minor third), C# to G# (descending perfect fourth), G# to F# (descending whole step), F# to C# (descending perfect fourth), C# to Cb (descending half step), Cb to B (descending half step), B to F (ascending tritone), F to C (descending perfect fourth), C to G (descending perfect fourth), G to A# (ascending minor third), A# to A (descending half step), A to A (ascending unison), A to E (descending perfect fourth), E to D (descending whole step), D to Cb (descending whole step), Cb to Cb (ascending unison), Cb to C# (ascending half step), C# to C# (ascending unison), C# to B (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to A by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 11 bars · Form: A

Chords: A9, A♯m7♭5, C♯7♭9♯5, G♯m7, F♯7♭9♯5, C♯m7♭5, C♭Maj7, BMaj7, F9, Cm7, Gm7, A♯Maj7, A7♯5, A13, Em7♭5, DMaj9, C♭9♯11, C♭7♯9♯11, C♯9♯11, C♯7♯9♯11, BMaj9.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#