Peace in A

Horace Silver(1959)swing
Do Re MiC D E
A
C7♭9♯5
C♭Maj7
F7♭9♯5
G♯13
G♯7♯5
C♯Maj9
C7♯9♯11
C9♯11
C♭7♯9♯11
C♭9♯11
A♯Maj9

Chord Diagrams — Peace in A (Guitar)

Display
FingerNoteDegree
Am7♭5
EADGBEx23x
4frEADGBE2x341x5frEADGBE1112347frEADGBE222xx1
G♯9
EADGBE11234x
4frEADGBE1113245frEADGBExx214310frEADGBE222221
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
C7♭9♯5
C - E - G♯ - B♭ - D♭
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
Cm7♭5
EADGBEx1324x
4frEADGBE11xx248frEADGBE11123410frEADGBE333xx1
F7♭9♯5
F - A - C♯ - E♭ - G♭
A♯Maj7
EADGBE11x324
3frEADGBE111xx46frEADGBE1114238frEADGBE11333x
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
E9
EADGBE213
EADGBE113x426frEADGBE2222219frEADGBE11112
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
D♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
G♯13
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213
G♯7♯5
4frEADGBE1x234
6frEADGBExx14239frEADGBEx324111frEADGBE11x432
C♯Maj9
C7♯9♯11
C - E - G - B♭ - D♯ - F♯
C9♯11
EADGBE11x234
3frEADGBE111x237frEADGBE11123410frEADGBExx1234
B7♯9♯11
B - E♭ - G♭ - A - D - F
B9♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
A♯Maj9

Peace in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to G# (descending half step), G# to G (descending half step), G to C (ascending perfect fourth), C to Cb (ascending unison), Cb to C (ascending unison), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to B (ascending half step), B to E (ascending perfect fourth), E to A (ascending perfect fourth), A to F# (descending minor third), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to C (descending half step), C to C (ascending unison), C to Cb (ascending unison), Cb to Cb (ascending unison), Cb to A# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to A by half step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 11 bars · Form: A

Chords: Am7♭5, G♯9, Gm7, C7♭9♯5, C♭Maj7, Cm7♭5, F7♭9♯5, A♯Maj7, Bm7, E9, AMaj7, F♯m7, D♯m7♭5, G♯13, G♯7♯5, C♯Maj9, C7♯9♯11, C9♯11, C♭7♯9♯11, C♭9♯11, A♯Maj9.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A