Do Re MiC D E

Peace

Horace Silver(1959)2/2ballad
C7♭9♯5
F7♭9♯5
C♭Maj7
G♯7♯5
G♯13
C♯Maj9
C♭9♯11
C♭7♯9♯11
C9♯11
C7♯9♯11
A♯Maj9

Chord Diagrams — Peace in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯9
4frEADGBE111324
EADGBE11234x
5frEADGBExx2143
10frEADGBE221334
Am7♭5
4frEADGBE2x341x
EADGBEx23x
5frEADGBE111234
7frEADGBE222xx1
C7♭9♯5
C - E - G♯ - B♭ - D♭
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
F7♭9♯5
F - A - C♯ - E♭ - G♭
Cm7♭5
4frEADGBE11xx24
EADGBEx1324x
8frEADGBE111234
10frEADGBE333xx1
BMaj7
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
A♯Maj7
3frEADGBE111xx4
EADGBE11x324
6frEADGBE111423
8frEADGBE11333x
E9
EADGBE113x42
EADGBE213
6frEADGBE221334
9frEADGBE11112
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
AMaj7
EADGBE111x4
EADGBEx213
5frEADGBE111423
7frEADGBE333x1
G♯7♯5
4frEADGBE1x234
6frEADGBExx1423
9frEADGBEx3241
11frEADGBE11x432
G♯13
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
D♯m7♭5
6frEADGBEx1324x
EADGBE222xx1
7frEADGBE11xx24
10frEADGBE2x341x
C♯Maj9
B9♯11
6frEADGBE2x341x
EADGBE11x234
EADGBE111x23
9frEADGBExx1234
B7♯9♯11
B - E♭ - G♭ - A - D - F
C9♯11
7frEADGBE111234
EADGBE11x234
3frEADGBE111x23
10frEADGBExx1234
C7♯9♯11
C - E - G - B♭ - D♯ - F♯
A♯Maj9

Explore More

Peace in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G# to A (ascending half step), A to C (ascending minor third), C to G (descending perfect fourth), G to F (descending whole step), F to C (descending perfect fourth), C to Cb (ascending unison), Cb to A# (descending whole step), A# to E (ascending tritone), E to B (descending perfect fourth), B to F# (descending perfect fourth), F# to A (ascending minor third), A to G# (descending half step), G# to G# (ascending unison), G# to D# (descending perfect fourth), D# to C# (descending whole step), C# to Cb (descending half step), Cb to Cb (ascending unison), Cb to C (ascending unison), C to C (ascending unison), C to A# (descending whole step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to G# by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad2/2 · 11 bars · Form: A

Chords: G♯9, Am7♭5, C7♭9♯5, Gm7, F7♭9♯5, Cm7♭5, C♭Maj7, A♯Maj7, E9, Bm7, F♯m7, AMaj7, G♯7♯5, G♯13, D♯m7♭5, C♯Maj9, C♭9♯11, C♭7♯9♯11, C9♯11, C7♯9♯11, A♯Maj9.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A