Do Re MiC D E

Passion Flower

Billy Strayhorn(1941)4/4swing
F♯aug7/F♯
B9♯11
F♯aug7/F♯
B9♯11
Aaugadd9add7
A♯7♯5
G♯13
C♯69
F♯aug7/F♯
B9♯11
F♯aug7/F♯
B9♯11
Aaugadd9add7
A♯7♯5
G♯13
C♯69
%
C♭9♯11
E7♭9♯5
D♯7♯5
D13
GMaj9
F♯aug7/F♯
B9♯11
F♯aug7/F♯
B9♯11
Aaugadd9add7
A♯7♯5
G♯13
C♯69

Chord Diagrams — Passion Flower in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯aug7/F♯
4frEADGBExx1423
EADGBE1x234x
7frEADGBEx4312
9frEADGBE11x432
B9♯11
6frEADGBE2x341x
EADGBE11x234
EADGBE111x23
9frEADGBExx1234
Aaugadd9add7
A♯7♯5
6frEADGBE1x234x
EADGBE11x432
8frEADGBExx1423
12frEADGBEx213x4
G♯7♭9
5frEADGBE11xx23
EADGBE111x2
4frEADGBE11xx23
10frEADGBE11x234
G♯13
4frEADGBE111324
EADGBE111432
4frEADGBE111234
10frEADGBE44x213
C♯69
EADGBE11x234
EADGBE11x432
8frEADGBE111234
10frEADGBExx2134
GMaj7
3frEADGBE111423
EADGBE321
5frEADGBE11333x
10frEADGBE11x324
F♯m7♭5
4frEADGBE222xx1
EADGBE2341
9frEADGBEx1324x
10frEADGBE11xx24
B9♯11
EADGBE111x23
EADGBE11x234
6frEADGBE2x341x
9frEADGBExx1234
E7♭9♯5
E - G♯ - C - D - F
D7♭9
2frEADGBExx431
4frEADGBE11x234
5frEADGBE11x24
8frEADGBE3241xx
D♯7♯5
EADGBExx1423
6frEADGBE11x432
9frEADGBE3241
11frEADGBE1x234x
D13
EADGBExx412
5frEADGBE111134
8frEADGBE4231
10frEADGBE1x234x
GMaj9
G7
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
D7♯11
EADGBExx123
4frEADGBE11x234
7frEADGBEx3142
9frEADGBE111234
A7
EADGBEx23
EADGBE111x2
5frEADGBE111132
7frEADGBEx1324
E9♯11
EADGBE12
3frEADGBE3142
6frEADGBE11x234
11frEADGBE111234

Explore More

Passion Flower in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to B (ascending perfect fourth), B to A (descending whole step), A to A# (ascending half step), A# to G# (descending whole step), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to G (ascending tritone), G to F# (descending half step), F# to Cb (ascending tritone), Cb to E (ascending major third), E to D (descending whole step), D to D# (ascending half step), D# to D (descending half step), D to G (ascending perfect fourth), G to G (ascending unison), G to D (descending perfect fourth), D to A (descending perfect fourth), A to E (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from E to F# by whole step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: F♯aug7/F♯, B9♯11, Aaugadd9add7, A♯7♯5, G♯7♭9, G♯13, C♯69, GMaj7, F♯m7♭5, C♭9♯11, E7♭9♯5, D7♭9, D♯7♯5, D13, GMaj9, G7, D7♯11, A7, E9♯11.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#