Passion Flower in C#

Billy Strayhorn(1941)swing
Do Re MiC D E
A
F♯aug7/C
B9♯11
F♯aug7/C
B9♯11
A♯7♯5
Aaugadd9add7
G♯13
C♯69
F♯aug7/C
B9♯11
F♯aug7/C
B9♯11
A♯7♯5
Aaugadd9add7
G♯13
C♯69
C♯69
C♭9♯11
E7♭9♯5
D♯7♯5
D13
GMaj9
F♯aug7/C
B9♯11
F♯aug7/C
B9♯11
A♯7♯5
Aaugadd9add7
G♯13
C♯69

Chord Diagrams — Passion Flower in C# (Guitar)

Display
FingerNoteDegree
F♯aug7/C
EADGBE1x234x
4frEADGBExx14237frEADGBEx43129frEADGBE11x432
B9♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
A♯7♯5
EADGBE11x432
6frEADGBE1x234x8frEADGBExx142312frEADGBEx213x4
Aaugadd9add7
G♯13
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213
G♯7♭9
EADGBE111x2
4frEADGBE11xx235frEADGBE11xx2310frEADGBE11x234
C♯69
EADGBE11x432
EADGBE11x2348frEADGBE11123410frEADGBExx2134
GMaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
F♯m7♭5
EADGBE2341
4frEADGBE222xx19frEADGBEx1324x10frEADGBE11xx24
B9♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
E7♭9♯5
E - G♯ - C - D - F
D♯7♯5
EADGBExx1423
6frEADGBE11x4329frEADGBE324111frEADGBE1x234x
D7♭9
2frEADGBExx431
4frEADGBE11x2345frEADGBE11x248frEADGBE3241xx
D13
EADGBExx412
5frEADGBE1111348frEADGBE423110frEADGBE1x234x
GMaj9
E9♯11
EADGBE12
3frEADGBE31426frEADGBE11x23411frEADGBE111234
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
D7♯11
EADGBExx123
4frEADGBE11x2347frEADGBEx31429frEADGBE111234
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134

Passion Flower in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to B (ascending perfect fourth), B to A# (descending half step), A# to A (descending half step), A to G# (descending half step), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to G (ascending tritone), G to F# (descending half step), F# to Cb (ascending tritone), Cb to E (ascending major third), E to D# (descending half step), D# to D (descending half step), D to D (ascending unison), D to G (ascending perfect fourth), G to E (descending minor third), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to G (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to F# by half step.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: F♯aug7/C, B9♯11, A♯7♯5, Aaugadd9add7, G♯13, G♯7♭9, C♯69, GMaj7, F♯m7♭5, C♭9♯11, E7♭9♯5, D♯7♯5, D7♭9, D13, GMaj9, E9♯11, A7, D7♯11, G7.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#