Do Re MiC D E

Passion Flower

Billy Strayhorn(1941)4/4swing
Eaug7/F♯
A9♯11
Eaug7/F♯
A9♯11
Gaugadd9add7
G♯7♯5
F♯13
B69
Eaug7/F♯
A9♯11
Eaug7/F♯
A9♯11
Gaugadd9add7
G♯7♯5
F♯13
B69
%
C♭9♯11
D7♭9♯5
C♯7♯5
C13
FMaj9
Eaug7/F♯
A9♯11
Eaug7/F♯
A9♯11
Gaugadd9add7
G♯7♯5
F♯13
B69

Chord Diagrams — Passion Flower in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Eaug7/F♯
2frEADGBExx1423
EADGBE412
7frEADGBE11x432
12frEADGBE1x234x
A9♯11
4frEADGBE111234
EADGBEx13
7frEADGBExx1234
11frEADGBE11x234
Gaugadd9add7
G♯7♯5
4frEADGBE1x234
6frEADGBExx1423
9frEADGBEx3241
11frEADGBE11x432
F♯7♭9
3frEADGBE11xx23
EADGBE2134
8frEADGBE11x234
12frEADGBE3241xx
F♯13
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
B69
EADGBE11x234
6frEADGBE111234
8frEADGBEx22134
11frEADGBE11x432
FMaj7
EADGBE111423
EADGBExx321
3frEADGBE11x333
8frEADGBE111324
Em7♭5
EADGBE33312
7frEADGBEx1324x
8frEADGBE11xx24
11frEADGBE2x341x
B9♯11
EADGBE111x23
EADGBE11x234
6frEADGBE2x341x
9frEADGBExx1234
D7♭9♯5
D - F♯ - A♯ - C - E♭
C7♭9
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
C♯7♯5
EADGBEx4321
4frEADGBE11x432
7frEADGBE431x2
9frEADGBE1x234x
C13
2frEADGBE44x213
3frEADGBE111134
6frEADGBE222341
8frEADGBE111324
FMaj9
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
C7♯11
3frEADGBE111x23
EADGBE11x234
7frEADGBE111234
10frEADGBExx1234
G7
3frEADGBE111132
EADGBE321
5frEADGBE11x324
10frEADGBE111134
D9♯11
4frEADGBE11x234
EADGBExx123
7frEADGBEx3142
9frEADGBE111234

Explore More

Passion Flower in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through E to A (ascending perfect fourth), A to G (descending whole step), G to G# (ascending half step), G# to F# (descending whole step), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to F (ascending tritone), F to E (descending half step), E to Cb (descending major third), Cb to D (ascending whole step), D to C (descending whole step), C to C# (ascending half step), C# to C (descending half step), C to F (ascending perfect fourth), F to F (ascending unison), F to C (descending perfect fourth), C to G (descending perfect fourth), G to D (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D to E by whole step.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: Eaug7/F♯, A9♯11, Gaugadd9add7, G♯7♯5, F♯7♭9, F♯13, B69, FMaj7, Em7♭5, C♭9♯11, D7♭9♯5, C7♭9, C♯7♯5, C13, FMaj9, F7, C7♯11, G7, D9♯11.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B