Do Re MiC D E

Passion Flower

Billy Strayhorn(1941)4/4swing
Daug7/F♯
G9♯11
Daug7/F♯
G9♯11
Faugadd9add7
F♯7♯5
A69
Daug7/F♯
G9♯11
Daug7/F♯
G9♯11
Faugadd9add7
F♯7♯5
A69
%
C♭9♯11
C7♭9♯5
B7♯5
A♯13
D♯Maj9
Daug7/F♯
G9♯11
Daug7/F♯
G9♯11
Faugadd9add7
F♯7♯5
A69

Chord Diagrams — Passion Flower in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Daug7/F♯
4frEADGBEx213x4
EADGBExx412
5frEADGBE11x432
10frEADGBE1x234x
G9♯11
5frEADGBExx1234
EADGBE111234
9frEADGBE11x234
10frEADGBE111x23
Faugadd9add7
F♯7♯5
4frEADGBExx1423
EADGBE1x234x
7frEADGBEx4312
9frEADGBE11x432
E7♭9
4frEADGBE1134
EADGBE312
6frEADGBE11x234
10frEADGBE3241xx
E13
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
A69
4frEADGBE111234
EADGBE11x34
6frEADGBEx22134
11frEADGBE11x234
D♯Maj7
3frEADGBE111x43
EADGBE11333x
6frEADGBE111324
8frEADGBE111xx4
Dm7♭5
3frEADGBE11x342
EADGBE111xx
5frEADGBEx1324x
8frEADGBEx1432
B9♯11
EADGBE111x23
EADGBE11x234
6frEADGBE2x341x
9frEADGBExx1234
C7♭9♯5
C - E - G♯ - B♭ - D♭
A♯7♭9
EADGBEx123
4frEADGBE3241xx
6frEADGBE111x23
12frEADGBE11x234
B7♯5
EADGBEx2134
2frEADGBEx213
7frEADGBE1x234x
9frEADGBExx1423
A♯13
EADGBE44x12
4frEADGBE1132
6frEADGBE111234
12frEADGBE44x213
D♯Maj9
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
A♯7♯11
EADGBEx123
5frEADGBE11123x
8frEADGBExx1234
12frEADGBE11x234
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
C9♯11
EADGBE11x234
3frEADGBE111x23
7frEADGBE111234
10frEADGBExx1234

Explore More

Passion Flower in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to G (ascending perfect fourth), G to F (descending whole step), F to F# (ascending half step), F# to E (descending whole step), E to E (ascending unison), E to A (ascending perfect fourth), A to D# (ascending tritone), D# to D (descending half step), D to Cb (descending whole step), Cb to C (ascending unison), C to A# (descending whole step), A# to B (ascending half step), B to A# (descending half step), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to F (descending perfect fourth), F to C (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C to D by whole step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: Daug7/F♯, G9♯11, Faugadd9add7, F♯7♯5, E7♭9, E13, A69, D♯Maj7, Dm7♭5, C♭9♯11, C7♭9♯5, A♯7♭9, B7♯5, A♯13, D♯Maj9, D♯7, A♯7♯11, F7, C9♯11.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A