Passion Flower in A

Billy Strayhorn(1941)swing
Do Re MiC D E
A
Daug7/G♯
G9♯11
Daug7/G♯
G9♯11
F♯7♯5
Faugadd9add7
A69
Daug7/G♯
G9♯11
Daug7/G♯
G9♯11
F♯7♯5
Faugadd9add7
A69
A69
C♭9♯11
C7♭9♯5
B7♯5
A♯13
D♯Maj9
Daug7/G♯
G9♯11
Daug7/G♯
G9♯11
F♯7♯5
Faugadd9add7
A69

Chord Diagrams — Passion Flower in A (Guitar)

Display
FingerNoteDegree
Daug7/G♯
EADGBExx412
4frEADGBEx213x45frEADGBE11x43210frEADGBE1x234x
G9♯11
EADGBE111234
5frEADGBExx12349frEADGBE11x23410frEADGBE111x23
F♯7♯5
EADGBE1x234x
4frEADGBExx14237frEADGBEx43129frEADGBE11x432
Faugadd9add7
E13
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
E7♭9
EADGBE312
4frEADGBE11346frEADGBE11x23410frEADGBE3241xx
A69
EADGBE11x34
4frEADGBE1112346frEADGBE2222x111frEADGBE11x234
D♯Maj7
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
Dm7♭5
EADGBE111xx
3frEADGBE11x3425frEADGBEx1324x8frEADGBEx1432
B9♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
C7♭9♯5
C - E - G♯ - B♭ - D♭
B7♯5
EADGBEx2134
2frEADGBEx2137frEADGBE1x234x9frEADGBExx1423
A♯7♭9
EADGBEx123
4frEADGBE3241xx6frEADGBE111x2312frEADGBE11x234
A♯13
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
D♯Maj9
C9♯11
EADGBE11x234
3frEADGBE111x237frEADGBE11123410frEADGBExx1234
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
A♯7♯11
EADGBEx123
5frEADGBE11123x8frEADGBExx123412frEADGBE11x234
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132

Passion Flower in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through D to G (ascending perfect fourth), G to F# (descending half step), F# to F (descending half step), F to E (descending half step), E to E (ascending unison), E to A (ascending perfect fourth), A to D# (ascending tritone), D# to D (descending half step), D to Cb (descending whole step), Cb to C (ascending unison), C to B (descending half step), B to A# (descending half step), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to C (descending minor third), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D# to D by half step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: Daug7/G♯, G9♯11, F♯7♯5, Faugadd9add7, E13, E7♭9, A69, D♯Maj7, Dm7♭5, C♭9♯11, C7♭9♯5, B7♯5, A♯7♭9, A♯13, D♯Maj9, C9♯11, F7, A♯7♯11, D♯7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A