Passion Flower in E

Billy Strayhorn(1941)swing
Do Re MiC D E
A
Aaug7/D♯
D9♯11
Aaug7/D♯
D9♯11
C♯7♯5
Caugadd9add7
E69
Aaug7/D♯
D9♯11
Aaug7/D♯
D9♯11
C♯7♯5
Caugadd9add7
E69
E69
C♭9♯11
G7♭9♯5
F♯7♯5
F13
A♯Maj9
Aaug7/D♯
D9♯11
Aaug7/D♯
D9♯11
C♯7♯5
Caugadd9add7
E69

Chord Diagrams — Passion Flower in E (Guitar)

Display
FingerNoteDegree
Aaug7/D♯
EADGBEx321
EADGBE11x235frEADGBE11x237frEADGBExx1423
D9♯11
EADGBExx123
4frEADGBE11x2347frEADGBEx31429frEADGBE111234
C♯7♯5
EADGBEx4321
4frEADGBE11x4327frEADGBE431x29frEADGBE1x234x
Caugadd9add7
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
B7♭9
EADGBE11x234
5frEADGBE3241xx7frEADGBE111x238frEADGBE11xx23
E69
EADGBE22221
6frEADGBE11x2349frEADGBE11111x11frEADGBE11134
A♯Maj7
EADGBE11x324
3frEADGBE111xx46frEADGBE1114238frEADGBE11333x
Am7♭5
EADGBEx23x
4frEADGBE2x341x5frEADGBE1112347frEADGBE222xx1
B9♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
G7♭9♯5
G - B - D♯ - F - A♭
F♯7♯5
EADGBE1x234x
4frEADGBExx14237frEADGBEx43129frEADGBE11x432
F7♭9
EADGBE111423
EADGBE11xx237frEADGBE11x23411frEADGBE3241xx
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
A♯Maj9
G9♯11
EADGBE111234
5frEADGBExx12349frEADGBE11x23410frEADGBE111x23
C7
EADGBEx3241
3frEADGBE1111345frEADGBE111xx28frEADGBE111132
F7♯11
EADGBE123
3frEADGBExx12347frEADGBE11x2348frEADGBE111x23
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x

Passion Flower in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to D (ascending perfect fourth), D to C# (descending half step), C# to C (descending half step), C to B (descending half step), B to B (ascending unison), B to E (ascending perfect fourth), E to A# (ascending tritone), A# to A (descending half step), A to Cb (ascending minor third), Cb to G (descending perfect fourth), G to F# (descending half step), F# to F (descending half step), F to F (ascending unison), F to A# (ascending perfect fourth), A# to G (descending minor third), G to C (ascending perfect fourth), C to F (ascending perfect fourth), F to A# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to A by half step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: Aaug7/D♯, D9♯11, C♯7♯5, Caugadd9add7, B13, B7♭9, E69, A♯Maj7, Am7♭5, C♭9♯11, G7♭9♯5, F♯7♯5, F7♭9, F13, A♯Maj9, G9♯11, C7, F7♯11, A♯7.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E