Do Re MiC D E

Passion Flower

Billy Strayhorn(1941)4/4swing
D♯aug7/F♯
G♯9♯11
D♯aug7/F♯
G♯9♯11
F♯augadd9add7
G7♯5
A♯69
D♯aug7/F♯
G♯9♯11
D♯aug7/F♯
G♯9♯11
F♯augadd9add7
G7♯5
A♯69
%
C♭9♯11
C♯7♭9♯5
C7♯5
B13
EMaj9
C♯9♯11
D♯aug7/F♯
G♯9♯11
D♯aug7/F♯
G♯9♯11
F♯augadd9add7
G7♯5
A♯69

Chord Diagrams — Passion Flower in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯aug7/F♯
6frEADGBE11x432
EADGBExx1423
9frEADGBE3241
11frEADGBE1x234x
G♯9♯11
6frEADGBExx1234
3frEADGBE2x341x
10frEADGBE11x234
11frEADGBE111x23
F♯augadd9add7
G7♯5
5frEADGBExx1423
EADGBE4312
EADGBE1x234x
10frEADGBE11x432
F7♭9
7frEADGBE11x234
EADGBE111423
EADGBE11xx23
11frEADGBE3241xx
F13
7frEADGBE44x213
EADGBE111324
EADGBE111234
8frEADGBE111134
A♯69
7frEADGBEx22134
EADGBEx123
5frEADGBE111234
12frEADGBE11x234
EMaj7
7frEADGBE111324
EADGBE312
EADGBE333xx1
4frEADGBE111x43
D♯m7♭5
7frEADGBE11xx24
EADGBE222xx1
6frEADGBEx1324x
10frEADGBE2x341x
B9♯11
6frEADGBE2x341x
EADGBE11x234
EADGBE111x23
9frEADGBExx1234
C♯7♭9♯5
C♯ - F - A - B - D
B7♭9
7frEADGBE111x23
EADGBE11x234
5frEADGBE3241xx
8frEADGBE11xx23
C7♯5
8frEADGBE1x234
EADGBEx213x4
3frEADGBE11x432
10frEADGBExx1423
B13
7frEADGBE111234
EADGBE44x213
EADGBE111134
4frEADGBE111432
EMaj9
E7
7frEADGBE111134
EADGBE21
5frEADGBEx3241x
9frEADGBE111xx2
B7♯11
6frEADGBE2x341x
EADGBE11x234
EADGBE111x23
9frEADGBExx1234
F♯7
7frEADGBEx3241x
EADGBE111132
4frEADGBE11x324
9frEADGBE111134
C♯9♯11
8frEADGBE111234
EADGBEx213
4frEADGBE111x23
9frEADGBE111123

Explore More

Passion Flower in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to G# (ascending perfect fourth), G# to F# (descending whole step), F# to G (ascending half step), G to F (descending whole step), F to F (ascending unison), F to A# (ascending perfect fourth), A# to E (ascending tritone), E to D# (descending half step), D# to Cb (descending minor third), Cb to C# (ascending half step), C# to B (descending whole step), B to C (ascending half step), C to B (descending half step), B to E (ascending perfect fourth), E to E (ascending unison), E to B (descending perfect fourth), B to F# (descending perfect fourth), F# to C# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from C# to D# by whole step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: D♯aug7/F♯, G♯9♯11, F♯augadd9add7, G7♯5, F7♭9, F13, A♯69, EMaj7, D♯m7♭5, C♭9♯11, C♯7♭9♯5, B7♭9, C7♯5, B13, EMaj9, E7, B7♯11, F♯7, C♯9♯11.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#