Passion Flower in A#

Billy Strayhorn(1941)swing
Do Re MiC D E
A
D♯aug7/A
G♯9♯11
D♯aug7/A
G♯9♯11
G7♯5
F♯augadd9add7
A♯69
D♯aug7/A
G♯9♯11
D♯aug7/A
G♯9♯11
G7♯5
F♯augadd9add7
A♯69
A♯69
C♭9♯11
C♯7♭9♯5
C7♯5
B13
EMaj9
C♯9♯11
D♯aug7/A
G♯9♯11
D♯aug7/A
G♯9♯11
G7♯5
F♯augadd9add7
A♯69

Chord Diagrams — Passion Flower in A# (Guitar)

Display
FingerNoteDegree
D♯aug7/A
EADGBExx1423
6frEADGBE11x4329frEADGBE324111frEADGBE1x234x
G♯9♯11
3frEADGBE2x341x
6frEADGBExx123410frEADGBE11x23411frEADGBE111x23
G7♯5
EADGBE4312
EADGBE1x234x5frEADGBExx142310frEADGBE11x432
F♯augadd9add7
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
F7♭9
EADGBE111423
EADGBE11xx237frEADGBE11x23411frEADGBE3241xx
A♯69
EADGBEx123
5frEADGBE1112347frEADGBE2222x112frEADGBE11x234
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
D♯m7♭5
EADGBE222xx1
6frEADGBEx1324x7frEADGBE11xx2410frEADGBE2x341x
B9♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
C♯7♭9♯5
C♯ - F - A - B - D
C7♯5
EADGBEx213x4
3frEADGBE11x4328frEADGBE1x23410frEADGBExx1423
B7♭9
EADGBE11x234
5frEADGBE3241xx7frEADGBE111x238frEADGBE11xx23
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
EMaj9
C♯9♯11
EADGBEx213
4frEADGBE111x238frEADGBE1112349frEADGBE111123
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
B7♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2

Passion Flower in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to G# (ascending perfect fourth), G# to G (descending half step), G to F# (descending half step), F# to F (descending half step), F to F (ascending unison), F to A# (ascending perfect fourth), A# to E (ascending tritone), E to D# (descending half step), D# to Cb (descending minor third), Cb to C# (ascending half step), C# to C (descending half step), C to B (descending half step), B to B (ascending unison), B to E (ascending perfect fourth), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from E to D# by half step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: D♯aug7/A, G♯9♯11, G7♯5, F♯augadd9add7, F13, F7♭9, A♯69, EMaj7, D♯m7♭5, C♭9♯11, C♯7♭9♯5, C7♯5, B7♭9, B13, EMaj9, C♯9♯11, F♯7, B7♯11, E7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#