Do Re MiC D E

Passion Flower

Billy Strayhorn(1941)4/4swing
G♯aug7/F♯
C♯9♯11
G♯aug7/F♯
C♯9♯11
Baugadd9add7
C7♯5
A♯13
D♯69
G♯aug7/F♯
C♯9♯11
G♯aug7/F♯
C♯9♯11
Baugadd9add7
C7♯5
A♯13
D♯69
%
C♭9♯11
F♯7♭9♯5
F7♯5
E13
AMaj9
F♯9♯11
G♯aug7/F♯
C♯9♯11
G♯aug7/F♯
C♯9♯11
Baugadd9add7
C7♯5
A♯13
D♯69

Chord Diagrams — Passion Flower in D# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯aug7/F♯
4frEADGBE1x234
6frEADGBExx1423
9frEADGBEx3241
11frEADGBE11x432
C♯9♯11
4frEADGBE111x23
EADGBEx213
8frEADGBE111234
9frEADGBE111123
Baugadd9add7
C7♯5
3frEADGBE11x432
EADGBEx213x4
8frEADGBE1x234
10frEADGBExx1423
A♯7♭9
4frEADGBE3241xx
EADGBEx123
6frEADGBE111x23
12frEADGBE11x234
A♯13
4frEADGBE1132
EADGBE44x12
6frEADGBE111234
12frEADGBE44x213
D♯69
5frEADGBE11x234
EADGBExx234
EADGBE1111x2
10frEADGBE111234
AMaj7
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
G♯m7♭5
6frEADGBE222xx1
EADGBExx13
EADGBE2x341x
11frEADGBEx1324x
B9♯11
6frEADGBE2x341x
EADGBE11x234
EADGBE111x23
9frEADGBExx1234
F♯7♭9♯5
F♯ - A♯ - D - E - G
E7♭9
6frEADGBE11x234
EADGBE312
4frEADGBE1134
10frEADGBE3241xx
F7♯5
3frEADGBExx1423
EADGBE1234x
8frEADGBE11x432
12frEADGBE213x4x
E13
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
AMaj9
A7
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
E7♯11
6frEADGBE11x234
EADGBE12
3frEADGBE3142
11frEADGBE111234
B7
7frEADGBE111132
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
F♯9♯11
8frEADGBE11x234
EADGBE111234
4frEADGBExx1234
9frEADGBE111x23

Explore More

Passion Flower in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to C# (ascending perfect fourth), C# to B (descending whole step), B to C (ascending half step), C to A# (descending whole step), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to A (ascending tritone), A to G# (descending half step), G# to Cb (ascending major third), Cb to F# (ascending tritone), F# to E (descending whole step), E to F (ascending half step), F to E (descending half step), E to A (ascending perfect fourth), A to A (ascending unison), A to E (descending perfect fourth), E to B (descending perfect fourth), B to F# (descending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The mix of stepwise and leap motion balances smoothness with harmonic drive. When the progression loops, the bass returns from F# to G# by whole step.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: G♯aug7/F♯, C♯9♯11, Baugadd9add7, C7♯5, A♯7♭9, A♯13, D♯69, AMaj7, G♯m7♭5, C♭9♯11, F♯7♭9♯5, E7♭9, F7♯5, E13, AMaj9, A7, E7♯11, B7, F♯9♯11.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#