Passion Flower in D#

Billy Strayhorn(1941)swing
Do Re MiC D E
A
G♯aug7/D
C♯9♯11
G♯aug7/D
C♯9♯11
C7♯5
Baugadd9add7
A♯13
D♯69
G♯aug7/D
C♯9♯11
G♯aug7/D
C♯9♯11
C7♯5
Baugadd9add7
A♯13
D♯69
D♯69
C♭9♯11
F♯7♭9♯5
F7♯5
E13
AMaj9
F♯9♯11
G♯aug7/D
C♯9♯11
G♯aug7/D
C♯9♯11
C7♯5
Baugadd9add7
A♯13
D♯69

Chord Diagrams — Passion Flower in D# (Guitar)

Display
FingerNoteDegree
G♯aug7/D
4frEADGBE1x234
6frEADGBExx14239frEADGBEx324111frEADGBE11x432
C♯9♯11
EADGBEx213
4frEADGBE111x238frEADGBE1112349frEADGBE111123
C7♯5
EADGBEx213x4
3frEADGBE11x4328frEADGBE1x23410frEADGBExx1423
Baugadd9add7
A♯13
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
A♯7♭9
EADGBEx123
4frEADGBE3241xx6frEADGBE111x2312frEADGBE11x234
D♯69
EADGBExx234
EADGBE1111x25frEADGBE11x23410frEADGBE111234
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
G♯m7♭5
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
B9♯11
EADGBE11x234
EADGBE111x236frEADGBE2x341x9frEADGBExx1234
F♯7♭9♯5
F♯ - A♯ - D - E - G
F7♯5
EADGBE1234x
3frEADGBExx14238frEADGBE11x43212frEADGBE213x4x
E7♭9
EADGBE312
4frEADGBE11346frEADGBE11x23410frEADGBE3241xx
E13
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
AMaj9
F♯9♯11
EADGBE111234
4frEADGBExx12348frEADGBE11x2349frEADGBE111x23
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
E7♯11
EADGBE12
3frEADGBE31426frEADGBE11x23411frEADGBE111234
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324

Passion Flower in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to C# (ascending perfect fourth), C# to C (descending half step), C to B (descending half step), B to A# (descending half step), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to A (ascending tritone), A to G# (descending half step), G# to Cb (ascending major third), Cb to F# (ascending tritone), F# to F (descending half step), F to E (descending half step), E to E (ascending unison), E to A (ascending perfect fourth), A to F# (descending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to G# by half step.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 32 bars · Form: A

Chords: G♯aug7/D, C♯9♯11, C7♯5, Baugadd9add7, A♯13, A♯7♭9, D♯69, AMaj7, G♯m7♭5, C♭9♯11, F♯7♭9♯5, F7♯5, E7♭9, E13, AMaj9, F♯9♯11, B7, E7♯11, A7.

Scales for Improvisation D# bebop, D# bebop major.

Diatonic chords: See all chords in the key of D#