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Metheny Pat4/4even-8ths
G/B♭
%
C7sus4
%
A7/F♯
Dm/F
%
%
A♯6/B♭
%
%
C/B♭
C/B♭
C/G
C/G
C/B♭
C/B♭
C/G
C/G

Chord Diagrams — Last Train Home in F (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
G/B♭
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
D♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
Am
2frEADGBE444x1
EADGBEx231
5frEADGBE111134
7frEADGBEx1342
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
Dm
5frEADGBE111342
EADGBExx231
6frEADGBEx4231x
10frEADGBE111134
A♯
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
C7sus4
5frEADGBE11xx23
EADGBE11x234
3frEADGBE111134
8frEADGBE111134
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
A7/F♯
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
Dm/F
5frEADGBE111342
EADGBExx231
6frEADGBEx4231x
10frEADGBE111134
A♯maj7
6frEADGBE111423
EADGBE11x324
3frEADGBE111xx4
8frEADGBE11333x
Dm7
6frEADGBExx2314
EADGBExx312
5frEADGBE111132
10frEADGBE111113
A♯6/B♭
6frEADGBE113x24
EADGBE3333x1
5frEADGBE2134
10frEADGBEx4231x
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
C/B♭
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
C/G
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342

Explore More

Last Train Home in F

Key of F

F major is the gateway to barre chords. While F itself requires a full barre at fret 1, the remaining diatonic chords (C, Dm, Am, G, Bb) mix open and barre shapes. The open high E acts as Fmaj7's seventh, adding unexpected richness. F is a intermediate-level key on guitar because the open high E string is the major seventh of F, creating a lush Fmaj7 resonance even in basic shapes, but the F barre chord itself is the first big hurdle for beginners. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through F to G (ascending whole step), G to D# (descending major third), D# to A (ascending tritone), A to A (ascending unison), A to D (ascending perfect fourth), D to A# (descending major third), A# to C (ascending whole step), C to C (ascending unison), C to A (descending minor third), A to D (ascending perfect fourth), D to A# (descending major third), A# to D (ascending major third), D to A# (descending major third), A# to C (ascending whole step), C to C (ascending unison), C to C (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to F by perfect fourth.

Scales for Improvisation

F major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 32 bars · Form: A

Chords: F, G/B♭, D♯, Am, Am7, Dm, A♯, C7sus4, C7, A7/F♯, Dm/F, A♯maj7, Dm7, A♯6/B♭, C, C/B♭, C/G.

Scales for Improvisation F bebop, F bebop major.

Diatonic chords: See all chords in the key of F