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Last Train Home

Metheny Pat4/4even-8ths
C♯/B♭
%
F♯7sus4
%
D♯7/F♯
G♯m/F
%
%
E6/B♭
%
%
F♯/B♭
F♯/B♭
F♯/G
F♯/G
F♯/B♭
F♯/B♭
F♯/G
F♯/G

Chord Diagrams — Last Train Home in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
C♯/B♭
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
D♯m
6frEADGBE111342
EADGBExx1342
EADGBExx3241
11frEADGBE111134
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯m
6frEADGBExx1342
4frEADGBE111134
7frEADGBExx3241
11frEADGBE111342
E
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
F♯7sus4
7frEADGBE11x234
EADGBE111134
4frEADGBExx1324
9frEADGBE111134
F♯7
7frEADGBEx3241x
EADGBE111132
4frEADGBE11x324
9frEADGBE111134
D♯7/F♯
8frEADGBE111xx2
EADGBExx1324
6frEADGBE111x34
11frEADGBE111132
G♯m/F
7frEADGBExx3241
4frEADGBE111134
6frEADGBExx1342
11frEADGBE111342
Emaj7
7frEADGBE111324
EADGBE312
EADGBE333xx1
4frEADGBE111x43
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
E6/B♭
5frEADGBEx4231x
EADGBE2314
EADGBE11134
7frEADGBE3333x1
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
F♯/B♭
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
F♯/G
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234

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Last Train Home in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through B to C# (ascending whole step), C# to A (descending major third), A to D# (ascending tritone), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to E (descending major third), E to F# (ascending whole step), F# to F# (ascending unison), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to E (descending major third), E to G# (ascending major third), G# to E (descending major third), E to F# (ascending whole step), F# to F# (ascending unison), F# to F# (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to B by perfect fourth.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 32 bars · Form: A

Chords: B, C♯/B♭, A, D♯m, D♯m7, G♯m, E, F♯7sus4, F♯7, D♯7/F♯, G♯m/F, Emaj7, G♯m7, E6/B♭, F♯, F♯/B♭, F♯/G.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B