Do Re MiC D E

Last Train Home

Metheny Pat4/4even-8ths
B/B♭
%
E7sus4
%
C♯7/F♯
F♯m/F
%
%
D6/B♭
%
%
E/B♭
E/B♭
E/G
E/B♭
E/B♭
E/G

Chord Diagrams — Last Train Home in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
B/B♭
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
G
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
F♯m
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
E7sus4
5frEADGBE11x234
EADGBE23
7frEADGBE111134
9frEADGBE11xx23
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
C♯7/F♯
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
F♯m/F
5frEADGBExx3241
EADGBE111134
4frEADGBE11x342
9frEADGBE111342
Dmaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
D6/B♭
3frEADGBEx4231x
EADGBExx23
5frEADGBE3333x1
7frEADGBE111134
E
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
E/B♭
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
E/G
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234

Explore More

Last Train Home in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to B (ascending whole step), B to G (descending major third), G to C# (ascending tritone), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to D (descending major third), D to E (ascending whole step), E to E (ascending unison), E to C# (descending minor third), C# to F# (ascending perfect fourth), F# to D (descending major third), D to F# (ascending major third), F# to D (descending major third), D to E (ascending whole step), E to E (ascending unison), E to E (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to A by perfect fourth.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 32 bars · Form: A

Chords: A, B/B♭, G, C♯m, C♯m7, F♯m, D, E7sus4, E7, C♯7/F♯, F♯m/F, Dmaj7, F♯m7, D6/B♭, E, E/B♭, E/G.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A