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Metheny Pat4/4even-8ths
D♯/B♭
%
G♯7sus4
%
F7/F♯
A♯m/F
%
%
F♯6/B♭
%
%
G♯/B♭
G♯/B♭
G♯/G
G♯/G
G♯/B♭
G♯/B♭
G♯/G
G♯/G

Chord Diagrams — Last Train Home in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
D♯/B♭
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
Fm
3frEADGBExx1342
EADGBE111134
8frEADGBE111342
10frEADGBE1142xx
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A♯m
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
F♯
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
G♯7sus4
EADGBE1122xx
4frEADGBE111134
9frEADGBE11x234
11frEADGBE111134
G♯7
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
F7/F♯
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2
A♯m/F
EADGBE11x342
6frEADGBE111134
6frEADGBE111xx3
8frEADGBExx1342
F♯maj7
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
9frEADGBE111324
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
F♯6/B♭
EADGBE11x324
EADGBE2x143x
4frEADGBE111x34
9frEADGBE3333x1
G♯
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
G♯/B♭
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
G♯/G
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432

Explore More

Last Train Home in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to D# (ascending whole step), D# to B (descending major third), B to F (ascending tritone), F to F (ascending unison), F to A# (ascending perfect fourth), A# to F# (descending major third), F# to G# (ascending whole step), G# to G# (ascending unison), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to F# (descending major third), F# to A# (ascending major third), A# to F# (descending major third), F# to G# (ascending whole step), G# to G# (ascending unison), G# to G# (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to C# by perfect fourth.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 32 bars · Form: A

Chords: C♯, D♯/B♭, B, Fm, Fm7, A♯m, F♯, G♯7sus4, G♯7, F7/F♯, A♯m/F, F♯maj7, A♯m7, F♯6/B♭, G♯, G♯/B♭, G♯/G.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#