Do Re MiC D E

Last Train Home

Metheny Pat4/4even-8ths
C/B♭
%
F7sus4
%
D7/F♯
Gm/F
%
%
D♯6/B♭
%
%
F/B♭
F/B♭
F/G
F/G
F/B♭
F/B♭
F/G
F/G

Chord Diagrams — Last Train Home in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
C/B♭
3frEADGBE111234
EADGBEx321
5frEADGBE111xx4
8frEADGBE111342
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
Dm
5frEADGBE111342
EADGBExx231
6frEADGBEx4231x
10frEADGBE111134
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Gm
5frEADGBExx1342
EADGBE2134
3frEADGBE111134
10frEADGBE111342
D♯
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
F7sus4
6frEADGBE111234
EADGBE111134
8frEADGBE111134
10frEADGBE11xx34
F7
8frEADGBE111134
EADGBE111132
3frEADGBE11x324
10frEADGBE111xx2
D7/F♯
10frEADGBE111132
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
Gm/F
10frEADGBE111342
EADGBE2134
3frEADGBE111134
5frEADGBExx1342
D♯maj7
8frEADGBE111xx4
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
Gm7
8frEADGBE11x234
3frEADGBE111113
5frEADGBE11x423
10frEADGBE111132
D♯6/B♭
6frEADGBE3333x1
EADGBE11xx34
4frEADGBEx4231x
10frEADGBE2x143x
F
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
F/B♭
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
F/G
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432

Explore More

Last Train Home in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to C (ascending whole step), C to G# (descending major third), G# to D (ascending tritone), D to D (ascending unison), D to G (ascending perfect fourth), G to D# (descending major third), D# to F (ascending whole step), F to F (ascending unison), F to D (descending minor third), D to G (ascending perfect fourth), G to D# (descending major third), D# to G (ascending major third), G to D# (descending major third), D# to F (ascending whole step), F to F (ascending unison), F to F (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A# by perfect fourth.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 32 bars · Form: A

Chords: A♯, C/B♭, G♯, Dm, Dm7, Gm, D♯, F7sus4, F7, D7/F♯, Gm/F, D♯maj7, Gm7, D♯6/B♭, F, F/B♭, F/G.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#