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Metheny Pat4/4even-8ths
G♯/B♭
%
C♯7sus4
%
A♯7/F♯
D♯m/F
%
%
B6/B♭
%
%
C♯/B♭
C♯/B♭
C♯/G
C♯/G
C♯/B♭
C♯/B♭
C♯/G
C♯/G

Chord Diagrams — Last Train Home in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
G♯/B♭
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
E
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
A♯m
6frEADGBE111xx3
EADGBE11x342
6frEADGBE111134
8frEADGBExx1342
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
D♯m
6frEADGBE111342
EADGBExx1342
EADGBExx3241
11frEADGBE111134
B
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
C♯7sus4
6frEADGBExxx123
EADGBE11x234
4frEADGBE111134
9frEADGBE111134
C♯7
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
A♯7/F♯
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
D♯m/F
6frEADGBE111342
EADGBExx1342
EADGBExx3241
11frEADGBE111134
Bmaj7
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
D♯m7
7frEADGBExx2314
EADGBExx1423
6frEADGBE111132
11frEADGBE111114
B6/B♭
7frEADGBE1x324x
EADGBEx312x
EADGBE3333x1
9frEADGBE11xx34
C♯
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
C♯/B♭
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
C♯/G
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342

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Last Train Home in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to G# (ascending whole step), G# to E (descending major third), E to A# (ascending tritone), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to B (descending major third), B to C# (ascending whole step), C# to C# (ascending unison), C# to A# (descending minor third), A# to D# (ascending perfect fourth), D# to B (descending major third), B to D# (ascending major third), D# to B (descending major third), B to C# (ascending whole step), C# to C# (ascending unison), C# to C# (ascending unison). The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to F# by perfect fourth.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

even-8ths4/4 · 32 bars · Form: A

Chords: F♯, G♯/B♭, E, A♯m, A♯m7, D♯m, B, C♯7sus4, C♯7, A♯7/F♯, D♯m/F, Bmaj7, D♯m7, B6/B♭, C♯, C♯/B♭, C♯/G.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#