Do Re MiC D E

In A Silent Way

Zawinul Josef4/4latin
G♯6/E
%
Bmaj7♯11/E
%
G♯maj7/E
F♯/G♯
D♯/F
G♯maj9
F/C♯
F/C♯
Fm6/C♯
Fm7/C♯
%
F♯/C♯
%
G♯maj7/E
F♯/G♯
D♯/F
G♯maj9
Gm11

Chord Diagrams — In A Silent Way in G (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
G♯6/E
3frEADGBE2x143x
EADGBE1111x3
6frEADGBE111x34
9frEADGBEx4231x
Bmaj7♯11/E
EADGBE11x234
6frEADGBE111123
7frEADGBE111234
11frEADGBE11x423
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
D♯maj7
EADGBE11333x
3frEADGBE111x43
6frEADGBE111324
8frEADGBE111xx4
G♯maj7/E
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
F♯/G♯
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
D♯/F
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
8frEADGBE111xx4
G♯maj9
3frEADGBE111243
EADGBE1111x4
4frEADGBE113224
10frEADGBE22143x
F/C♯
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
Fm6/C♯
3frEADGBE11xx32
EADGBE1x234
6frEADGBE11x324
9frEADGBExx2314
Fm7/C♯
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
F♯/C♯
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
Gm11
EADGBE2x341x
3frEADGBE111114
5frEADGBE11xx23
8frEADGBE11x234

Explore More

In A Silent Way in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A# to G# (descending whole step), G# to B (ascending minor third), B to D (ascending minor third), D to D# (ascending half step), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to G (descending half step), G to F (descending whole step), F to A# (ascending perfect fourth), A# to F# (descending major third), F# to D# (descending minor third), D# to G# (ascending perfect fourth), G# to F (descending minor third), F to F (ascending unison), F to F (ascending unison), F to F# (ascending half step), F# to G (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from G to A# by minor third.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

latin4/4 · 32 bars · Form: A

Chords: A♯, G♯6/E, Bmaj7♯11/E, Dm7, D♯maj7, G♯maj7/E, G♯, Gm7, Fm7, A♯7, F♯/G♯, D♯/F, G♯maj9, F/C♯, Fm6/C♯, Fm7/C♯, F♯/C♯, Gm11.

Scales for Improvisation G bebop minor, G bebop.

Diatonic chords: See all chords in the key of G