Do Re MiC D E

In A Silent Way

Zawinul Josef4/4latin
E6/E
%
Gmaj7♯11/E
%
Emaj7/E
D/G♯
B/F
Emaj9
C♯/C♯
C♯/C♯
C♯m6/C♯
C♯m7/C♯
%
D/C♯
%
Emaj7/E
D/G♯
B/F
Emaj9
D♯m11

Chord Diagrams — In A Silent Way in D# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
E6/E
5frEADGBEx4231x
EADGBE2314
EADGBE11134
7frEADGBE3333x1
Gmaj7♯11/E
3frEADGBE111234
EADGBE111133
7frEADGBE11x423
10frEADGBE11x234
A♯m7
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
Bmaj7
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
Emaj7/E
EADGBE333xx1
EADGBE312
4frEADGBE111x43
7frEADGBE111324
E
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
D/G♯
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
B/F
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
Emaj9
EADGBE111234
EADGBE3124
6frEADGBEx2143x
9frEADGBE11xx34
C♯/C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
C♯m6/C♯
EADGBE11x324
5frEADGBExx2314
8frEADGBE2x134x
9frEADGBE111234
C♯m7/C♯
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
D/C♯
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
D♯m11
4frEADGBE11x234
EADGBE11xx34
9frEADGBE111342
11frEADGBE111114

Explore More

In A Silent Way in D#

Key of D#

D# major (Eb) requires barre shapes rooted on the 6th and 5th strings. It is a favorite key for horn players, so guitarists encounter it in funk and soul bands. Using barre chords at frets 1, 3, and 6 covers the primary shapes. D# is a intermediate-advanced-level key on guitar because no standard open strings match this key's chord tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to E (descending whole step), E to G (ascending minor third), G to A# (ascending minor third), A# to B (ascending half step), B to E (ascending perfect fourth), E to E (ascending unison), E to D# (descending half step), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to D (descending major third), D to B (descending minor third), B to E (ascending perfect fourth), E to C# (descending minor third), C# to C# (ascending unison), C# to C# (ascending unison), C# to D (ascending half step), D to D# (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from D# to F# by minor third.

Scales for Improvisation

D# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D# Mixolydian adds the flat seventh for an authentic blues-rock edge.

latin4/4 · 32 bars · Form: A

Chords: F♯, E6/E, Gmaj7♯11/E, A♯m7, Bmaj7, Emaj7/E, E, D♯m7, C♯m7, F♯7, D/G♯, B/F, Emaj9, C♯/C♯, C♯m6/C♯, C♯m7/C♯, D/C♯, D♯m11.

Scales for Improvisation D# bebop minor, D# bebop.

Diatonic chords: See all chords in the key of D#