Do Re MiC D E

In A Silent Way

Zawinul Josef4/4latin
A♯6/E
%
C♯maj7♯11/E
%
A♯maj7/E
G♯/G♯
F/F
A♯maj9
G/C♯
G/C♯
Gm6/C♯
Gm7/C♯
%
G♯/C♯
%
A♯maj7/E
G♯/G♯
F/F
A♯maj9
Am11

Chord Diagrams — In A Silent Way in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
A♯6/E
5frEADGBE2134
EADGBE3333x1
6frEADGBE113x24
10frEADGBEx4231x
C♯maj7♯11/E
4frEADGBE11x234
EADGBEx42311
8frEADGBE111123
9frEADGBE111234
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
Fmaj7
EADGBExx321
EADGBE111423
3frEADGBE11x333
8frEADGBE111324
A♯maj7/E
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
8frEADGBE11333x
A♯
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
C7
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
G♯/G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
F/F
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
A♯maj9
3frEADGBE111143
EADGBE1113x
5frEADGBE11243x
6frEADGBE112234
G/C♯
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
Gm6/C♯
3frEADGBE111234
EADGBE2x1344
5frEADGBE111x32
8frEADGBE11x324
Gm7/C♯
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
G♯/C♯
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
Am11
EADGBEx1
3frEADGBE111342
5frEADGBE111114
10frEADGBE11x234

Explore More

In A Silent Way in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C to A# (descending whole step), A# to C# (ascending minor third), C# to E (ascending minor third), E to F (ascending half step), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to A (descending half step), A to G (descending whole step), G to C (ascending perfect fourth), C to G# (descending major third), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to G (descending minor third), G to G (ascending unison), G to G (ascending unison), G to G# (ascending half step), G# to A (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A to C by minor third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

latin4/4 · 32 bars · Form: A

Chords: C, A♯6/E, C♯maj7♯11/E, Em7, Fmaj7, A♯maj7/E, A♯, Am7, Gm7, C7, G♯/G♯, F/F, A♯maj9, G/C♯, Gm6/C♯, Gm7/C♯, G♯/C♯, Am11.

Scales for Improvisation A bebop minor, A bebop.

Diatonic chords: See all chords in the key of A