Do Re MiC D E

In A Silent Way

Zawinul Josef4/4latin
B6/E
%
Dmaj7♯11/E
%
Bmaj7/E
A/G♯
F♯/F
Bmaj9
G♯/C♯
G♯/C♯
G♯m6/C♯
G♯m7/C♯
%
A/C♯
%
Bmaj7/E
A/G♯
F♯/F
Bmaj9
A♯m11

Chord Diagrams — In A Silent Way in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
B6/E
EADGBE3333x1
EADGBEx312x
7frEADGBE1x324x
9frEADGBE11xx34
Dmaj7♯11/E
2frEADGBEx4231
EADGBE11xx3
5frEADGBE11x234
9frEADGBE111123
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
F♯maj7
4frEADGBE11x333
EADGBE111423
6frEADGBE111x43
9frEADGBE111324
Bmaj7/E
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
C♯7
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132
A/G♯
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
F♯/F
4frEADGBE11x243
EADGBE111342
6frEADGBE111432
9frEADGBE111234
Bmaj9
4frEADGBE11xx34
EADGBE22143x
6frEADGBE11243x
8frEADGBExx2143
G♯/C♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
G♯m6/C♯
4frEADGBE111234
EADGBE2x134x
6frEADGBE111x32
9frEADGBE11x324
G♯m7/C♯
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
A/C♯
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
A♯m11
6frEADGBE111114
4frEADGBE111342
8frEADGBE11xx23
11frEADGBE11x234

Explore More

In A Silent Way in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to B (descending whole step), B to D (ascending minor third), D to F (ascending minor third), F to F# (ascending half step), F# to B (ascending perfect fourth), B to B (ascending unison), B to A# (descending half step), A# to G# (descending whole step), G# to C# (ascending perfect fourth), C# to A (descending major third), A to F# (descending minor third), F# to B (ascending perfect fourth), B to G# (descending minor third), G# to G# (ascending unison), G# to G# (ascending unison), G# to A (ascending half step), A to A# (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from A# to C# by minor third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

latin4/4 · 32 bars · Form: A

Chords: C♯, B6/E, Dmaj7♯11/E, Fm7, F♯maj7, Bmaj7/E, B, A♯m7, G♯m7, C♯7, A/G♯, F♯/F, Bmaj9, G♯/C♯, G♯m6/C♯, G♯m7/C♯, A/C♯, A♯m11.

Scales for Improvisation A# bebop minor, A# bebop.

Diatonic chords: See all chords in the key of A#