Do Re MiC D E

In A Silent Way

Zawinul Josef4/4latin
G6/E
%
A♯maj7♯11/E
%
Gmaj7/E
F/G♯
D/F
Gmaj9
E/C♯
E/C♯
Em6/C♯
Em7/C♯
%
F/C♯
%
Gmaj7/E
F/G♯
D/F
Gmaj9
F♯m11

Chord Diagrams — In A Silent Way in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
G6/E
5frEADGBE111x34
EADGBE21
EADGBE2x143x
10frEADGBE3333x1
A♯maj7♯11/E
5frEADGBE111123
EADGBE11x234
6frEADGBE111234
10frEADGBE11x423
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
Dmaj7
5frEADGBE111324
EADGBE111xx
2frEADGBE111x43
7frEADGBE111xx4
Gmaj7/E
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
G
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
F/G♯
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
D/F
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
Gmaj9
EADGBE21
EADGBE111243
3frEADGBExx2314
9frEADGBEx2143x
E/C♯
EADGBE231
2frEADGBExx1243
4frEADGBE111432
7frEADGBE111234
Em6/C♯
EADGBE123
EADGBE11132
5frEADGBE11x324
8frEADGBExx2314
Em7/C♯
EADGBE2
EADGBE11423
7frEADGBE111132
8frEADGBExx2314
F/C♯
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
F♯m11
EADGBE231
EADGBE111114
4frEADGBE11xx23
7frEADGBE11x234

Explore More

In A Silent Way in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A to G (descending whole step), G to A# (ascending minor third), A# to C# (ascending minor third), C# to D (ascending half step), D to G (ascending perfect fourth), G to G (ascending unison), G to F# (descending half step), F# to E (descending whole step), E to A (ascending perfect fourth), A to F (descending major third), F to D (descending minor third), D to G (ascending perfect fourth), G to E (descending minor third), E to E (ascending unison), E to E (ascending unison), E to F (ascending half step), F to F# (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from F# to A by minor third.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

latin4/4 · 32 bars · Form: A

Chords: A, G6/E, A♯maj7♯11/E, C♯m7, Dmaj7, Gmaj7/E, G, F♯m7, Em7, A7, F/G♯, D/F, Gmaj9, E/C♯, Em6/C♯, Em7/C♯, F/C♯, F♯m11.

Scales for Improvisation F# bebop minor, F# bebop.

Diatonic chords: See all chords in the key of F#