Do Re MiC D E

In A Silent Way

Zawinul Josef4/4latin
C6/E
%
D♯maj7♯11/E
%
Cmaj7/E
A♯/G♯
G/F
Cmaj9
A/C♯
A/C♯
Am6/C♯
Am7/C♯
%
A♯/C♯
%
Cmaj7/E
A♯/G♯
G/F
Cmaj9
Bm11

Chord Diagrams — In A Silent Way in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
C6/E
3frEADGBE3333x1
EADGBEx4231
7frEADGBE2x143x
8frEADGBE11x324
D♯maj7♯11/E
3frEADGBE11x423
EADGBEx314x
6frEADGBE11x234
10frEADGBE111123
F♯m7
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
Gmaj7
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
Cmaj7/E
5frEADGBE111xx4
EADGBE231
3frEADGBE111324
10frEADGBE333xx1
C
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
Am7
7frEADGBE11x423
EADGBEx21
EADGBEx2314
5frEADGBE111113
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
A♯/G♯
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
G/F
5frEADGBE11x243
EADGBE213
3frEADGBE111342
7frEADGBE111432
Cmaj9
5frEADGBE11113
EADGBEx3
EADGBE22143x
8frEADGBE11x234
A/C♯
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
Am6/C♯
5frEADGBE111234
EADGBEx2314
4frEADGBE2x1334
7frEADGBE111x32
Am7/C♯
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
A♯/C♯
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Bm11
5frEADGBE111342
EADGBEx123
7frEADGBE111114
9frEADGBE1122xx

Explore More

In A Silent Way in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through D to C (descending whole step), C to D# (ascending minor third), D# to F# (ascending minor third), F# to G (ascending half step), G to C (ascending perfect fourth), C to C (ascending unison), C to B (descending half step), B to A (descending whole step), A to D (ascending perfect fourth), D to A# (descending major third), A# to G (descending minor third), G to C (ascending perfect fourth), C to A (descending minor third), A to A (ascending unison), A to A (ascending unison), A to A# (ascending half step), A# to B (ascending half step). A half-step bass movement creates a strong leading-tone pull that demands resolution. The predominantly stepwise bass motion creates smooth, connected voice leading. When the progression loops, the bass returns from B to D by minor third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

latin4/4 · 32 bars · Form: A

Chords: D, C6/E, D♯maj7♯11/E, F♯m7, Gmaj7, Cmaj7/E, C, Bm7, Am7, D7, A♯/G♯, G/F, Cmaj9, A/C♯, Am6/C♯, Am7/C♯, A♯/C♯, Bm11.

Scales for Improvisation B bebop minor, B bebop.

Diatonic chords: See all chords in the key of B