Do Re MiC D E

Harlequin

Shorter Wayne4/4ballad
G♯7sus4
%
%
D/A♭
C/E♭
D♯/A
A/C
B/B♭
D♯/F♯
%
C♯m7/G
G♯maj7/B
G♯maj
Dm7/D♭
D/A♭
C/E♭
D♯/A
A/C
B/B♭
C♯m7/G
D♯/F♯
D♯7♯5
F♯maj7/A
%
C/F
Cm7/E
G7♯5
D♯/F♯
%
C♯m7/G
G♯maj7/B
G♯maj
Bmaj7/D
B13
D♯7♯5
Bm7/F
E13
Bm7/F
E13
Bm7/F
E13
%
D/A♭
C/E♭
D♯/A
A/C
B/B♭
D/A♭
C/E♭
D♯/A
A/C
B/B♭
D/A♭
C/E♭
D♯/A
A/C
B/B♭

Chord Diagrams — Harlequin in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯7sus4
4frEADGBE111134
EADGBE1122xx
9frEADGBE11x234
11frEADGBE111134
Cm7
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
D/A♭
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
C/E♭
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
D♯/A
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
A/C
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
B/B♭
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
D♯/F♯
3frEADGBE11x432
EADGBExx1243
6frEADGBE11x234
8frEADGBE111xx4
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
C♯m7/G
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
G♯maj7/B
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
Am7
5frEADGBE111113
EADGBEx21
EADGBEx2314
7frEADGBE11x423
G♯maj
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Dm7/D♭
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
D♯7♯5
6frEADGBE11x432
EADGBExx1423
9frEADGBE3241
11frEADGBE1x234x
F♯maj7/A
6frEADGBE111x43
EADGBE111423
4frEADGBE11x333
9frEADGBE111324
C/F
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
Cm7/E
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
D7♭9
4frEADGBE11x234
2frEADGBExx431
5frEADGBE11x24
8frEADGBE3241xx
G7♯5
EADGBE1x234x
EADGBE4312
5frEADGBExx1423
10frEADGBE11x432
Gm7♭5
EADGBE2x341x
EADGBE3xx421
5frEADGBE222xx1
10frEADGBEx1324x
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
Bmaj7/D
4frEADGBE111xx4
EADGBE111324
7frEADGBE111423
9frEADGBE11333x
B13
4frEADGBE111432
EADGBE44x213
EADGBE111134
7frEADGBE111234
G♯7♯9
4frEADGBE114432
EADGBE213334
5frEADGBE44xx31
10frEADGBEx2134x
Bm7/F
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
E13
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134

Explore More

Harlequin in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G# to C (ascending major third), C to D (ascending whole step), D to C (descending whole step), C to D# (ascending minor third), D# to A (ascending tritone), A to B (ascending whole step), B to D# (ascending major third), D# to D# (ascending unison), D# to C# (descending whole step), C# to G# (descending perfect fourth), G# to A (ascending half step), A to G# (descending half step), G# to D (ascending tritone), D to D (ascending unison), D to A# (descending major third), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to F# (ascending minor third), F# to C (ascending tritone), C to C (ascending unison), C to D (ascending whole step), D to G (ascending perfect fourth), G to G (ascending unison), G to D (descending perfect fourth), D to G# (ascending tritone), G# to C# (ascending perfect fourth), C# to B (descending whole step), B to B (ascending unison), B to G# (descending minor third), G# to B (ascending minor third), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to G# by major third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 46 bars · Form: A

Chords: G♯7sus4, Cm7, D/A♭, C/E♭, D♯/A, A/C, B/B♭, D♯/F♯, D♯7, C♯m7/G, G♯maj7/B, Am7, G♯maj, Dm7, Dm7/D♭, A♯m7, D♯m7, D♯7♯5, F♯maj7/A, C/F, Cm7/E, D7♭9, G7♯5, Gm7♭5, D7, G♯m7, C♯7, Bmaj7/D, B13, G♯7♯9, Bm7/F, E13.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#