Do Re MiC D E

Harlequin

Shorter Wayne4/4ballad
A♯7sus4
%
%
E/A♭
D/E♭
F/A
B/C
C♯/B♭
F/F♯
%
D♯m7/G
A♯maj7/B
A♯maj
Em7/D♭
E/A♭
D/E♭
F/A
B/C
C♯/B♭
D♯m7/G
F/F♯
F7♯5
G♯maj7/A
%
D/F
Dm7/E
A7♯5
F/F♯
%
D♯m7/G
A♯maj7/B
A♯maj
C♯maj7/D
C♯13
F7♯5
C♯m7/F
F♯13
C♯m7/F
F♯13
C♯m7/F
F♯13
%
E/A♭
D/E♭
F/A
B/C
C♯/B♭
E/A♭
D/E♭
F/A
B/C
C♯/B♭
E/A♭
D/E♭
F/A
B/C
C♯/B♭

Chord Diagrams — Harlequin in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯7sus4
EADGBE1122xx
EADGBE111x34
6frEADGBE111134
8frEADGBExx1324
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
E/A♭
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
D/E♭
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
F/A
5frEADGBE111432
EADGBE111342
3frEADGBE11x243
8frEADGBE111234
B/C
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
C♯/B♭
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
F/F♯
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
D♯m7/G
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
A♯maj7/B
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
8frEADGBE11333x
Bm7
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
9frEADGBE11x423
A♯maj
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
Em7
EADGBE2
EADGBE11423
7frEADGBE111132
8frEADGBExx2314
Em7/D♭
EADGBE2
EADGBE11423
7frEADGBE111132
8frEADGBExx2314
Cm7
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
8frEADGBE111113
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
F7♯5
3frEADGBExx1423
EADGBE1234x
8frEADGBE11x432
12frEADGBE213x4x
G♯maj7/A
4frEADGBE111423
6frEADGBE11x333
9frEADGBEx3241x
11frEADGBE111324
D/F
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
Dm7/E
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
E7♭9
4frEADGBE1134
EADGBE312
6frEADGBE11x234
10frEADGBE3241xx
A7♯5
5frEADGBE11x23
EADGBEx321
EADGBE11x23
7frEADGBExx1423
Am7♭5
5frEADGBE111234
EADGBEx23x
4frEADGBE2x341x
7frEADGBE222xx1
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132
C♯maj7/D
6frEADGBE11xxx3
EADGBE111x43
4frEADGBE111324
9frEADGBE1x342x
C♯13
7frEADGBE222341
EADGBEx4231
4frEADGBE111134
9frEADGBE111234
A♯7♯9
7frEADGBExx2134
EADGBEx123x
6frEADGBE114432
12frEADGBEx2134x
C♯m7/F
9frEADGBE111114
4frEADGBE111x32
5frEADGBExx2314
11frEADGBExx1423
F♯13
9frEADGBE111134
EADGBE2314
EADGBE111234
7frEADGBEx4231

Explore More

Harlequin in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A# to D (ascending major third), D to E (ascending whole step), E to D (descending whole step), D to F (ascending minor third), F to B (ascending tritone), B to C# (ascending whole step), C# to F (ascending major third), F to F (ascending unison), F to D# (descending whole step), D# to A# (descending perfect fourth), A# to B (ascending half step), B to A# (descending half step), A# to E (ascending tritone), E to E (ascending unison), E to C (descending major third), C to F (ascending perfect fourth), F to F (ascending unison), F to G# (ascending minor third), G# to D (ascending tritone), D to D (ascending unison), D to E (ascending whole step), E to A (ascending perfect fourth), A to A (ascending unison), A to E (descending perfect fourth), E to A# (ascending tritone), A# to D# (ascending perfect fourth), D# to C# (descending whole step), C# to C# (ascending unison), C# to A# (descending minor third), A# to C# (ascending minor third), C# to F# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to A# by major third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 46 bars · Form: A

Chords: A♯7sus4, Dm7, E/A♭, D/E♭, F/A, B/C, C♯/B♭, F/F♯, F7, D♯m7/G, A♯maj7/B, Bm7, A♯maj, Em7, Em7/D♭, Cm7, Fm7, F7♯5, G♯maj7/A, D/F, Dm7/E, E7♭9, A7♯5, Am7♭5, E7, A♯m7, D♯7, C♯maj7/D, C♯13, A♯7♯9, C♯m7/F, F♯13.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#