Do Re MiC D E

Harlequin

Shorter Wayne4/4ballad
F♯7sus4
%
%
C/A♭
A♯/E♭
C♯/A
G/C
A/B♭
C♯/F♯
%
Bm7/G
F♯maj7/B
F♯maj
Cm7/D♭
C/A♭
A♯/E♭
C♯/A
G/C
A/B♭
Bm7/G
C♯/F♯
C♯7♯5
Emaj7/A
%
A♯/F
A♯m7/E
F7♯5
C♯/F♯
%
Bm7/G
F♯maj7/B
F♯maj
Amaj7/D
A13
C♯7♯5
Am7/F
D13
Am7/F
D13
Am7/F
D13
%
C/A♭
A♯/E♭
C♯/A
G/C
A/B♭
C/A♭
A♯/E♭
C♯/A
G/C
A/B♭
C/A♭
A♯/E♭
C♯/A
G/C
A/B♭

Chord Diagrams — Harlequin in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯7sus4
4frEADGBExx1324
EADGBE111134
7frEADGBE11x234
9frEADGBE111134
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
C/A♭
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
A♯/E♭
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
C♯/A
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
G/C
7frEADGBE111432
EADGBE213
3frEADGBE111342
5frEADGBE11x243
A/B♭
7frEADGBEx1243
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
C♯/F♯
9frEADGBE111342
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
C♯7
9frEADGBE111132
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
Bm7/G
9frEADGBE11x423
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
F♯maj7/B
9frEADGBE111324
EADGBE111423
4frEADGBE11x333
6frEADGBE111x43
Gm7
8frEADGBE11x234
3frEADGBE111113
5frEADGBE11x423
10frEADGBE111132
F♯maj
9frEADGBE111234
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
Cm7
8frEADGBE111113
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
Cm7/D♭
8frEADGBE111113
EADGBEx2134x
3frEADGBE111132
4frEADGBExx2314
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
C♯7♯5
4frEADGBE11x432
EADGBEx4321
7frEADGBE431x2
9frEADGBE1x234x
Emaj7/A
4frEADGBE111x43
EADGBE312
EADGBE333xx1
7frEADGBE111324
A♯/F
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
A♯m7/E
EADGBExx2314
EADGBE111x32
6frEADGBE111113
8frEADGBE11x423
C7♭9
EADGBE11x234
6frEADGBE3241xx
8frEADGBE111x23
9frEADGBExx3142
F7♯5
EADGBE1234x
3frEADGBExx1423
8frEADGBE11x432
12frEADGBE213x4x
Fm7♭5
EADGBE1x23x
EADGBE222xx1
8frEADGBEx1324x
11frEADGBE2134x
C7
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
8frEADGBE111132
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
Amaj7/D
EADGBE111x4
EADGBEx213
5frEADGBE111423
7frEADGBE333x1
A13
EADGBEx123
3frEADGBE4231
5frEADGBE111324
11frEADGBE44x213
F♯7♯9
EADGBE213334
2frEADGBE111324
3frEADGBExx2134
8frEADGBEx2134x
Am7/F
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
D13
EADGBExx412
5frEADGBE111134
8frEADGBE4231
10frEADGBE1x234x

Explore More

Harlequin in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F# to A# (ascending major third), A# to C (ascending whole step), C to A# (descending whole step), A# to C# (ascending minor third), C# to G (ascending tritone), G to A (ascending whole step), A to C# (ascending major third), C# to C# (ascending unison), C# to B (descending whole step), B to F# (descending perfect fourth), F# to G (ascending half step), G to F# (descending half step), F# to C (ascending tritone), C to C (ascending unison), C to G# (descending major third), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to E (ascending minor third), E to A# (ascending tritone), A# to A# (ascending unison), A# to C (ascending whole step), C to F (ascending perfect fourth), F to F (ascending unison), F to C (descending perfect fourth), C to F# (ascending tritone), F# to B (ascending perfect fourth), B to A (descending whole step), A to A (ascending unison), A to F# (descending minor third), F# to A (ascending minor third), A to D (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to F# by major third.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 46 bars · Form: A

Chords: F♯7sus4, A♯m7, C/A♭, A♯/E♭, C♯/A, G/C, A/B♭, C♯/F♯, C♯7, Bm7/G, F♯maj7/B, Gm7, F♯maj, Cm7, Cm7/D♭, G♯m7, C♯m7, C♯7♯5, Emaj7/A, A♯/F, A♯m7/E, C7♭9, F7♯5, Fm7♭5, C7, F♯m7, B7, Amaj7/D, A13, F♯7♯9, Am7/F, D13.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#