Do Re MiC D E

Harlequin

Shorter Wayne4/4ballad
C♯7sus4
%
%
G/A♭
F/E♭
G♯/A
D/C
E/B♭
G♯/F♯
%
F♯m7/G
C♯maj7/B
C♯maj
Gm7/D♭
G/A♭
F/E♭
G♯/A
D/C
E/B♭
F♯m7/G
G♯/F♯
G♯7♯5
Bmaj7/A
%
F/F
Fm7/E
C7♯5
G♯/F♯
%
F♯m7/G
C♯maj7/B
C♯maj
Emaj7/D
E13
G♯7♯5
Em7/F
A13
Em7/F
A13
Em7/F
A13
%
G/A♭
F/E♭
G♯/A
D/C
E/B♭
G/A♭
F/E♭
G♯/A
D/C
E/B♭
G/A♭
F/E♭
G♯/A
D/C
E/B♭

Chord Diagrams — Harlequin in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯7sus4
4frEADGBE111134
EADGBE11x234
6frEADGBExxx123
9frEADGBE111134
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
G/A♭
3frEADGBE111342
EADGBE213
5frEADGBE11x243
7frEADGBE111432
F/E♭
3frEADGBE11x243
EADGBE111342
5frEADGBE111432
8frEADGBE111234
G♯/A
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
D/C
5frEADGBE111234
EADGBExx132
2frEADGBE111432
10frEADGBE111342
E/B♭
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
G♯/F♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
F♯m7/G
4frEADGBExx1423
EADGBE111113
9frEADGBE111132
10frEADGBExx2314
C♯maj7/B
4frEADGBE111324
EADGBE111x43
6frEADGBE11xxx3
9frEADGBE1x342x
Dm7
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
C♯maj
4frEADGBE111234
EADGBE11x432
6frEADGBE111324
9frEADGBE111342
Gm7
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
Gm7/D♭
5frEADGBE11x423
3frEADGBE111113
8frEADGBE11x234
10frEADGBE111132
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
G♯7♯5
6frEADGBExx1423
4frEADGBE1x234
9frEADGBEx3241
11frEADGBE11x432
Bmaj7/A
7frEADGBE111423
EADGBE111324
4frEADGBE111xx4
9frEADGBE11333x
F/F
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
Fm7/E
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314
G7♭9
9frEADGBE11x234
EADGBE11324
EADGBE111x23
4frEADGBE11xx23
C7♯5
8frEADGBE1x234
EADGBEx213x4
3frEADGBE11x432
10frEADGBExx1423
Cm7♭5
8frEADGBE111234
EADGBEx1324x
4frEADGBE11xx24
10frEADGBE333xx1
G7
10frEADGBE111134
EADGBE321
3frEADGBE111132
5frEADGBE11x324
C♯m7
9frEADGBE111114
4frEADGBE111x32
5frEADGBExx2314
11frEADGBExx1423
F♯7
9frEADGBE111134
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
Emaj7/D
7frEADGBE111324
EADGBE312
EADGBE333xx1
4frEADGBE111x43
E13
7frEADGBE111134
EADGBE213
EADGBE123
5frEADGBE1342
C♯7♯9
8frEADGBE2222x1
EADGBEx3241
3frEADGBEx2134x
9frEADGBE111324
Em7/F
8frEADGBExx2314
EADGBE2
EADGBE11423
7frEADGBE111132
A13
5frEADGBE111324
EADGBEx123
3frEADGBE4231
11frEADGBE44x213

Explore More

Harlequin in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to F (ascending major third), F to G (ascending whole step), G to F (descending whole step), F to G# (ascending minor third), G# to D (ascending tritone), D to E (ascending whole step), E to G# (ascending major third), G# to G# (ascending unison), G# to F# (descending whole step), F# to C# (descending perfect fourth), C# to D (ascending half step), D to C# (descending half step), C# to G (ascending tritone), G to G (ascending unison), G to D# (descending major third), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to B (ascending minor third), B to F (ascending tritone), F to F (ascending unison), F to G (ascending whole step), G to C (ascending perfect fourth), C to C (ascending unison), C to G (descending perfect fourth), G to C# (ascending tritone), C# to F# (ascending perfect fourth), F# to E (descending whole step), E to E (ascending unison), E to C# (descending minor third), C# to E (ascending minor third), E to A (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to C# by major third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 46 bars · Form: A

Chords: C♯7sus4, Fm7, G/A♭, F/E♭, G♯/A, D/C, E/B♭, G♯/F♯, G♯7, F♯m7/G, C♯maj7/B, Dm7, C♯maj, Gm7, Gm7/D♭, D♯m7, G♯m7, G♯7♯5, Bmaj7/A, F/F, Fm7/E, G7♭9, C7♯5, Cm7♭5, G7, C♯m7, F♯7, Emaj7/D, E13, C♯7♯9, Em7/F, A13.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#