Do Re MiC D E

Harlequin

Shorter Wayne4/4ballad
E7sus4
%
%
A♯/A♭
G♯/E♭
B/A
F/C
G/B♭
B/F♯
%
Am7/G
Emaj7/B
Emaj
A♯m7/D♭
A♯/A♭
G♯/E♭
B/A
F/C
G/B♭
Am7/G
B/F♯
B7♯5
Dmaj7/A
%
G♯/F
G♯m7/E
D♯7♯5
B/F♯
%
Am7/G
Emaj7/B
Emaj
Gmaj7/D
G13
B7♯5
Gm7/F
C13
Gm7/F
C13
Gm7/F
C13
%
A♯/A♭
G♯/E♭
B/A
F/C
G/B♭
A♯/A♭
G♯/E♭
B/A
F/C
G/B♭
A♯/A♭
G♯/E♭
B/A
F/C
G/B♭

Chord Diagrams — Harlequin in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
E7sus4
5frEADGBE11x234
EADGBE23
7frEADGBE111134
9frEADGBE11xx23
G♯m7
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
A♯/A♭
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
G♯/E♭
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
B/A
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
F/C
8frEADGBE111234
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
G/B♭
7frEADGBE111432
EADGBE213
3frEADGBE111342
5frEADGBE11x243
B/F♯
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
B7
7frEADGBE111132
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
Am7/G
7frEADGBE11x423
EADGBEx21
EADGBEx2314
5frEADGBE111113
Emaj7/B
7frEADGBE111324
EADGBE312
EADGBE333xx1
4frEADGBE111x43
Fm7
8frEADGBE111132
EADGBE111113
3frEADGBExx1423
9frEADGBExx2314
Emaj
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
A♯m7
8frEADGBE11x423
EADGBE111x32
EADGBExx2314
6frEADGBE111113
A♯m7/D♭
8frEADGBE11x423
EADGBE111x32
EADGBExx2314
6frEADGBE111113
F♯m7
9frEADGBE111132
EADGBE111113
4frEADGBExx1423
10frEADGBExx2314
Bm7
9frEADGBE11x423
EADGBE111132
3frEADGBExx2314
7frEADGBE111113
B7♯5
9frEADGBExx1423
EADGBEx2134
2frEADGBEx213
7frEADGBE1x234x
Dmaj7/A
7frEADGBE111xx4
EADGBE111xx
2frEADGBE111x43
5frEADGBE111324
G♯/F
6frEADGBE11x243
EADGBE11132x
4frEADGBE111342
8frEADGBE111432
G♯m7/E
6frEADGBE11x423
4frEADGBE111113
9frEADGBE11x23x
11frEADGBE111132
A♯7♭9
6frEADGBE111x23
EADGBEx123
4frEADGBE3241xx
12frEADGBE11x234
D♯7♯5
6frEADGBE11x432
EADGBExx1423
9frEADGBE3241
11frEADGBE1x234x
D♯m7♭5
7frEADGBE11xx24
EADGBE222xx1
6frEADGBEx1324x
10frEADGBE2x341x
A♯7
6frEADGBE111132
EADGBE111x34
8frEADGBE11x324
11frEADGBEx3241x
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
A7
7frEADGBEx1324
EADGBEx23
EADGBE111x2
5frEADGBE111132
Gmaj7/D
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
G13
3frEADGBE11x234
EADGBE321
3frEADGBE111324
9frEADGBEx21334
E7♯9
3frEADGBE312
EADGBE214
6frEADGBEx2134x
9frEADGBE11123
Gm7/F
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
C13
2frEADGBE44x213
3frEADGBE111134
6frEADGBE222341
8frEADGBE111324

Explore More

Harlequin in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to G# (ascending major third), G# to A# (ascending whole step), A# to G# (descending whole step), G# to B (ascending minor third), B to F (ascending tritone), F to G (ascending whole step), G to B (ascending major third), B to B (ascending unison), B to A (descending whole step), A to E (descending perfect fourth), E to F (ascending half step), F to E (descending half step), E to A# (ascending tritone), A# to A# (ascending unison), A# to F# (descending major third), F# to B (ascending perfect fourth), B to B (ascending unison), B to D (ascending minor third), D to G# (ascending tritone), G# to G# (ascending unison), G# to A# (ascending whole step), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to E (ascending tritone), E to A (ascending perfect fourth), A to G (descending whole step), G to G (ascending unison), G to E (descending minor third), E to G (ascending minor third), G to C (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to E by major third.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 46 bars · Form: A

Chords: E7sus4, G♯m7, A♯/A♭, G♯/E♭, B/A, F/C, G/B♭, B/F♯, B7, Am7/G, Emaj7/B, Fm7, Emaj, A♯m7, A♯m7/D♭, F♯m7, Bm7, B7♯5, Dmaj7/A, G♯/F, G♯m7/E, A♯7♭9, D♯7♯5, D♯m7♭5, A♯7, Em7, A7, Gmaj7/D, G13, E7♯9, Gm7/F, C13.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E