Do Re MiC D E

Harlequin

Shorter Wayne4/4ballad
A7sus4
%
%
D♯/A♭
C♯/E♭
E/A
A♯/C
C/B♭
E/F♯
%
Dm7/G
Amaj7/B
Amaj
D♯m7/D♭
D♯/A♭
C♯/E♭
E/A
A♯/C
C/B♭
Dm7/G
E/F♯
E7♯5
Gmaj7/A
%
C♯/F
C♯m7/E
G♯7♯5
E/F♯
%
Dm7/G
Amaj7/B
Amaj
Cmaj7/D
C13
E7♯5
Cm7/F
F13
Cm7/F
F13
Cm7/F
F13
%
D♯/A♭
C♯/E♭
E/A
A♯/C
C/B♭
D♯/A♭
C♯/E♭
E/A
A♯/C
C/B♭
D♯/A♭
C♯/E♭
E/A
A♯/C
C/B♭

Chord Diagrams — Harlequin in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A7sus4
5frEADGBE111134
EADGBEx23
7frEADGBEx1324
10frEADGBE11x234
C♯m7
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
D♯/A♭
6frEADGBE11x234
EADGBExx1243
3frEADGBE11x432
8frEADGBE111xx4
C♯/E♭
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
E/A
7frEADGBE111234
EADGBE231
2frEADGBExx1243
4frEADGBE111432
A♯/C
6frEADGBE111342
EADGBE11x234
3frEADGBE11143x
8frEADGBE11x243
C/B♭
5frEADGBE111xx4
EADGBEx321
3frEADGBE111234
8frEADGBE111342
E/F♯
4frEADGBE111432
EADGBE231
2frEADGBExx1243
7frEADGBE111234
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
Dm7/G
5frEADGBE111132
EADGBExx312
6frEADGBExx2314
10frEADGBE111113
Amaj7/B
5frEADGBE111423
EADGBEx213
EADGBE111x4
7frEADGBE333x1
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
Amaj
5frEADGBE111342
EADGBEx234
2frEADGBE111x4
7frEADGBEx1243
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
D♯m7/D♭
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
Bm7
7frEADGBE111113
EADGBE111132
3frEADGBExx2314
9frEADGBE11x423
Em7
7frEADGBE111132
EADGBE2
EADGBE11423
8frEADGBExx2314
E7♯5
7frEADGBE11x432
EADGBE412
2frEADGBExx1423
12frEADGBE1x234x
Gmaj7/A
5frEADGBE11333x
EADGBE321
3frEADGBE111423
10frEADGBE11x324
C♯/F
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
C♯m7/E
5frEADGBExx2314
4frEADGBE111x32
9frEADGBE111114
11frEADGBExx1423
D♯7♭9
5frEADGBE11x234
EADGBExx24
6frEADGBE11x34
9frEADGBE3241xx
G♯7♯5
4frEADGBE1x234
6frEADGBExx1423
9frEADGBEx3241
11frEADGBE11x432
G♯m7♭5
EADGBE2x341x
EADGBExx13
6frEADGBE222xx1
11frEADGBEx1324x
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
Am7
EADGBEx2314
EADGBEx21
5frEADGBE111113
7frEADGBE11x423
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
Cmaj7/D
EADGBE231
3frEADGBE111324
5frEADGBE111xx4
10frEADGBE333xx1
C13
2frEADGBE44x213
3frEADGBE111134
6frEADGBE222341
8frEADGBE111324
A7♯9
5frEADGBE114432
6frEADGBExx2134
8frEADGBEx4213
11frEADGBEx2134x
Cm7/F
4frEADGBExx2314
EADGBEx2134x
3frEADGBE111132
8frEADGBE111113
F13
EADGBE111324
EADGBE111234
7frEADGBE44x213
8frEADGBE111134

Explore More

Harlequin in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to C# (ascending major third), C# to D# (ascending whole step), D# to C# (descending whole step), C# to E (ascending minor third), E to A# (ascending tritone), A# to C (ascending whole step), C to E (ascending major third), E to E (ascending unison), E to D (descending whole step), D to A (descending perfect fourth), A to A# (ascending half step), A# to A (descending half step), A to D# (ascending tritone), D# to D# (ascending unison), D# to B (descending major third), B to E (ascending perfect fourth), E to E (ascending unison), E to G (ascending minor third), G to C# (ascending tritone), C# to C# (ascending unison), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to D# (descending perfect fourth), D# to A (ascending tritone), A to D (ascending perfect fourth), D to C (descending whole step), C to C (ascending unison), C to A (descending minor third), A to C (ascending minor third), C to F (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

ballad4/4 · 46 bars · Form: A

Chords: A7sus4, C♯m7, D♯/A♭, C♯/E♭, E/A, A♯/C, C/B♭, E/F♯, E7, Dm7/G, Amaj7/B, A♯m7, Amaj, D♯m7, D♯m7/D♭, Bm7, Em7, E7♯5, Gmaj7/A, C♯/F, C♯m7/E, D♯7♭9, G♯7♯5, G♯m7♭5, D♯7, Am7, D7, Cmaj7/D, C13, A7♯9, Cm7/F, F13.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A