Good Morning Heartache in F#

Irene Higginbotham / Ervin Drake / Dan Fisher(1946)swing
Do Re MiC D E
A
B
A/C♯
A♯m7♭5/E
F♯69
F♯69
A♯7♯5
A♯7♯5
G♯7sus4
G♯7♯5
Dm11
G13
F♯7add13
A/C♯
A♯m7♭5/E
F♯69

Chord Diagrams — Good Morning Heartache in F# (Guitar)

Display
FingerNoteDegree
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
C♯m6
EADGBE11x324
5frEADGBExx23148frEADGBE2x134x9frEADGBE111234
A/C♯
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
A♯m7♭5/E
EADGBE11xx24
EADGBEx1324x5frEADGBE2x341x8frEADGBE222xx1
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
Bm
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
F♯69
EADGBE111234
EADGBExx21346frEADGBE1111x28frEADGBE11x234
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
A♯7♯5
EADGBE11x432
6frEADGBE1x234x8frEADGBExx142312frEADGBEx213x4
D♯m
EADGBExx1342
EADGBExx32416frEADGBE11134211frEADGBE111134
D♯Maj7
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
G♯7sus4
EADGBE1122xx
4frEADGBE1111349frEADGBE11x23411frEADGBE111134
G♯7♯5
4frEADGBE1x234
6frEADGBExx14239frEADGBEx324111frEADGBE11x432
C♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
Dm11
EADGBE11xx
3frEADGBE11x2348frEADGBE11134210frEADGBE111114
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
F♯7add13
F♯ - A♯ - C♯ - E - D♯
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
G7♯9
EADGBE3241
3frEADGBE1144324frEADGBE44x2319frEADGBEx2134x

Good Morning Heartache in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C# to C# (ascending unison), C# to A (descending major third), A to F# (descending minor third), F# to A# (ascending major third), A# to D# (ascending perfect fourth), D# to G# (ascending perfect fourth), G# to B (ascending minor third), B to A# (descending half step), A# to A (descending half step), A to C# (ascending major third), C# to F# (ascending perfect fourth), F# to G (ascending half step), G to A# (ascending minor third), A# to D# (ascending perfect fourth), D# to D# (ascending unison), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to D (ascending half step), D to G (ascending perfect fourth), G to F# (descending half step), F# to C# (descending perfect fourth), C# to G (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G to C# by tritone.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 26 bars · Form: AB

Chords: C♯m7, C♯m6, A/C♯, F♯Maj7, A♯m7♭5/E, D♯7, G♯m7, Bm, A♯m7, Am7, C♯7, F♯69, G7, A♯7♯5, D♯m, D♯Maj7, G♯7sus4, G♯7♯5, C♯Maj7, Dm11, G13, F♯7add13, C♯13, G7♯9.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#