Good Morning Heartache in D

Irene Higginbotham / Ervin Drake / Dan Fisher(1946)swing
Do Re MiC D E
A
B
F/A
F♯m7♭5/C
D69
D69
F♯7♯5
F♯7♯5
E7sus4
E7♯5
A♯m11
D♯13
D7add13
F/A
F♯m7♭5/C
D69

Chord Diagrams — Good Morning Heartache in D (Guitar)

Display
FingerNoteDegree
Am7
EADGBEx21
EADGBEx23145frEADGBE1111137frEADGBE11x423
Am6
EADGBEx2314
4frEADGBE2222x15frEADGBE1112347frEADGBE111x32
F/A
5frEADGBE111432
EADGBE1113423frEADGBE11x2438frEADGBE111234
DMaj7
EADGBE111xx
2frEADGBE111x435frEADGBE1113247frEADGBE111xx4
F♯m7♭5/C
10frEADGBE11xx24
EADGBE23414frEADGBE222xx19frEADGBEx1324x
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
Gm
EADGBE2134
3frEADGBE1111345frEADGBExx134210frEADGBE111342
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
D69
2frEADGBEx431
4frEADGBE11x2349frEADGBE11123411frEADGBE2222x1
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
F♯7♯5
EADGBE1x234x
4frEADGBExx14237frEADGBEx43129frEADGBE11x432
Bm
EADGBE111342
7frEADGBE1111349frEADGBExx134210frEADGBExx3241
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
E7sus4
EADGBE23
5frEADGBE11x2347frEADGBE1111349frEADGBE11xx23
E7♯5
EADGBE412
2frEADGBExx14237frEADGBE11x43212frEADGBE1x234x
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
A♯m11
4frEADGBE111342
6frEADGBE1111148frEADGBE11xx2311frEADGBE11x234
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
D7add13
D - F♯ - A - C - B
A13
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
D♯7♯9
EADGBExx234
5frEADGBEx2134x8frEADGBE111x2310frEADGBE2134xx

Good Morning Heartache in D

Key of D

D major is one of guitar's most resonant keys. The open D string acts as a droning root, and the open A string provides the fifth. This gives D-based strumming a wide, ringing quality that flatpicks and fingerpicks love. D is a beginner-level key on guitar because the open D and A strings provide a powerful bass foundation, and the open high E is the 2nd scale degree adding brightness. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through A to A (ascending unison), A to F (descending major third), F to D (descending minor third), D to F# (ascending major third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to G (ascending minor third), G to F# (descending half step), F# to F (descending half step), F to A (ascending major third), A to D (ascending perfect fourth), D to D# (ascending half step), D# to F# (ascending minor third), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to E (ascending unison), E to A (ascending perfect fourth), A to A# (ascending half step), A# to D# (ascending perfect fourth), D# to D (descending half step), D to A (descending perfect fourth), A to D# (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to A by tritone.

Scales for Improvisation

D major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, D Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 26 bars · Form: AB

Chords: Am7, Am6, F/A, DMaj7, F♯m7♭5/C, B7, Em7, Gm, F♯m7, Fm7, A7, D69, D♯7, F♯7♯5, Bm, BMaj7, E7sus4, E7♯5, AMaj7, A♯m11, D♯13, D7add13, A13, D♯7♯9.

Scales for Improvisation D bebop, D bebop major.

Diatonic chords: See all chords in the key of D