Good Morning Heartache in C

Irene Higginbotham / Ervin Drake / Dan Fisher(1946)swing
Do Re MiC D E
A
B
D♯/G
Em7♭5/A♯
C69
C69
E7♯5
E7♯5
D7sus4
D7♯5
G♯m11
C♯13
C7add13
D♯/G
Em7♭5/A♯
C69

Chord Diagrams — Good Morning Heartache in C (Guitar)

Display
FingerNoteDegree
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
Gm6
EADGBE2222x1
3frEADGBE1112345frEADGBE111x328frEADGBE11x324
D♯/G
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
CMaj7
EADGBE231
3frEADGBE1113245frEADGBE111xx410frEADGBE333xx1
Em7♭5/A♯
8frEADGBE11xx24
EADGBE333127frEADGBEx1324x11frEADGBE2x341x
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
Dm7
EADGBExx312
5frEADGBE1111326frEADGBExx231410frEADGBE111113
Fm
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
G7
EADGBE321
3frEADGBE1111325frEADGBE11x32410frEADGBE111134
C69
EADGBE11x334
3frEADGBEx1347frEADGBE1112349frEADGBE2222x1
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
E7♯5
EADGBE412
2frEADGBExx14237frEADGBE11x43212frEADGBE1x234x
Am
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
D7sus4
EADGBExx214
3frEADGBEx2341x5frEADGBE11113410frEADGBE111134
D7♯5
EADGBExx412
4frEADGBEx213x45frEADGBE11x43210frEADGBE1x234x
GMaj7
EADGBE321
3frEADGBE1114235frEADGBE11333x10frEADGBE11x324
G♯m11
EADGBE111342
4frEADGBE1111146frEADGBE11xx239frEADGBE11x334
C♯13
EADGBEx4231
4frEADGBE1111347frEADGBE2223419frEADGBE111234
C7add13
C - E - G - B♭ - A
G13
EADGBE321
3frEADGBE11x2343frEADGBE1113249frEADGBE222x14
C♯7♯9
EADGBEx3241
3frEADGBEx2134x8frEADGBE2222x19frEADGBE111324

Good Morning Heartache in C

Key of C

With no sharps or flats, C major is the theoretical home base on guitar. The open G, B, and high E strings all belong to the C major chord, creating natural sustain. C is a beginner-level key on guitar because the open B and high E strings ring within the scale, and every basic chord uses familiar open shapes. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G to G (ascending unison), G to D# (descending major third), D# to C (descending minor third), C to E (ascending major third), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to F (ascending minor third), F to E (descending half step), E to D# (descending half step), D# to G (ascending major third), G to C (ascending perfect fourth), C to C# (ascending half step), C# to E (ascending minor third), E to A (ascending perfect fourth), A to A (ascending unison), A to D (ascending perfect fourth), D to D (ascending unison), D to G (ascending perfect fourth), G to G# (ascending half step), G# to C# (ascending perfect fourth), C# to C (descending half step), C to G (descending perfect fourth), G to C# (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to G by tritone.

Scales for Improvisation

C major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 26 bars · Form: AB

Chords: Gm7, Gm6, D♯/G, CMaj7, Em7♭5/A♯, A7, Dm7, Fm, Em7, D♯m7, G7, C69, C♯7, E7♯5, Am, AMaj7, D7sus4, D7♯5, GMaj7, G♯m11, C♯13, C7add13, G13, C♯7♯9.

Scales for Improvisation C bebop, C bebop major.

Diatonic chords: See all chords in the key of C