Good Morning Heartache in A

Irene Higginbotham / Ervin Drake / Dan Fisher(1946)swing
Do Re MiC D E
A
B
C/E
C♯m7♭5/G
A69
A69
C♯7♯5
C♯7♯5
B7sus4
B7♯5
Fm11
A♯13
A7add13
C/E
C♯m7♭5/G
A69

Chord Diagrams — Good Morning Heartache in A (Guitar)

Display
FingerNoteDegree
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
Em6
EADGBE123
EADGBE111325frEADGBE11x3248frEADGBExx2314
C/E
EADGBEx321
3frEADGBE1112345frEADGBE111xx48frEADGBE111342
AMaj7
EADGBEx213
EADGBE111x45frEADGBE1114237frEADGBE333x1
C♯m7♭5/G
5frEADGBE11xx24
4frEADGBEx1324x8frEADGBE2x341x11frEADGBE222xx1
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
Dm
EADGBExx231
5frEADGBE1113426frEADGBEx4231x10frEADGBE111134
C♯m7
4frEADGBE111x32
5frEADGBExx23149frEADGBE11111411frEADGBExx1423
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
A69
EADGBE11x34
4frEADGBE1112346frEADGBE2222x111frEADGBE11x234
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
C♯7♯5
EADGBEx4321
4frEADGBE11x4327frEADGBE431x29frEADGBE1x234x
F♯m
EADGBE111134
4frEADGBE11x3425frEADGBExx32419frEADGBE111342
F♯Maj7
EADGBE111423
4frEADGBE11x3336frEADGBE111x439frEADGBE111324
B7sus4
EADGBEx123
2frEADGBE1111344frEADGBE1122xx7frEADGBE111134
B7♯5
EADGBEx2134
2frEADGBEx2137frEADGBE1x234x9frEADGBExx1423
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
Fm11
EADGBE111114
EADGBE11xx236frEADGBE11x23411frEADGBE111342
A♯13
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
A7add13
A - C♯ - E - G - F♯
E13
EADGBE213
EADGBE1235frEADGBE13427frEADGBE111134
A♯7♯9
EADGBEx123x
6frEADGBE1144327frEADGBExx213412frEADGBEx2134x

Good Morning Heartache in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to E (ascending unison), E to C (descending major third), C to A (descending minor third), A to C# (ascending major third), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to D (ascending minor third), D to C# (descending half step), C# to C (descending half step), C to E (ascending major third), E to A (ascending perfect fourth), A to A# (ascending half step), A# to C# (ascending minor third), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to B (ascending unison), B to E (ascending perfect fourth), E to F (ascending half step), F to A# (ascending perfect fourth), A# to A (descending half step), A to E (descending perfect fourth), E to A# (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A# to E by tritone.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 26 bars · Form: AB

Chords: Em7, Em6, C/E, AMaj7, C♯m7♭5/G, F♯7, Bm7, Dm, C♯m7, Cm7, E7, A69, A♯7, C♯7♯5, F♯m, F♯Maj7, B7sus4, B7♯5, EMaj7, Fm11, A♯13, A7add13, E13, A♯7♯9.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A