Good Morning Heartache in G#

Irene Higginbotham / Ervin Drake / Dan Fisher(1946)swing
Do Re MiC D E
A
B
B/D♯
Cm7♭5/F♯
G♯69
G♯69
C7♯5
C7♯5
A♯7sus4
A♯7♯5
Em11
A13
G♯7add13
B/D♯
Cm7♭5/F♯
G♯69

Chord Diagrams — Good Morning Heartache in G# (Guitar)

Display
FingerNoteDegree
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
D♯m6
EADGBE111x32
4frEADGBE11x3247frEADGBExx231411frEADGBE111234
B/D♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
G♯Maj7
4frEADGBE111423
6frEADGBE11x3339frEADGBEx3241x11frEADGBE111324
Cm7♭5/F♯
4frEADGBE11xx24
EADGBEx1324x8frEADGBE11123410frEADGBE333xx1
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
A♯m7
EADGBE111x32
EADGBExx23146frEADGBE1111138frEADGBE11x423
C♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
Cm7
EADGBEx2134x
3frEADGBE1111324frEADGBExx23148frEADGBE111113
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
G♯69
EADGBE11111x
EADGBE1112345frEADGBExx213410frEADGBE11x234
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
C7♯5
EADGBEx213x4
3frEADGBE11x4328frEADGBE1x23410frEADGBExx1423
Fm
EADGBE111134
3frEADGBExx13428frEADGBE11134210frEADGBE1142xx
FMaj7
EADGBExx321
EADGBE1114233frEADGBE11x3338frEADGBE111324
A♯7sus4
EADGBE111x34
EADGBE1122xx6frEADGBE1111348frEADGBExx1324
A♯7♯5
EADGBE11x432
6frEADGBE1x234x8frEADGBExx142312frEADGBEx213x4
D♯Maj7
EADGBE11333x
3frEADGBE111x436frEADGBE1113248frEADGBE111xx4
Em11
EADGBE1
3frEADGBE3215frEADGBE11x23410frEADGBE111342
A13
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
G♯7add13
G♯ - C - D♯ - F♯ - F
D♯13
5frEADGBE44x213
6frEADGBE1111349frEADGBE1142311frEADGBE111234
A7♯9
5frEADGBE114432
6frEADGBExx21348frEADGBEx421311frEADGBEx2134x

Good Morning Heartache in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to D# (ascending unison), D# to B (descending major third), B to G# (descending minor third), G# to C (ascending major third), C to F (ascending perfect fourth), F to A# (ascending perfect fourth), A# to C# (ascending minor third), C# to C (descending half step), C to B (descending half step), B to D# (ascending major third), D# to G# (ascending perfect fourth), G# to A (ascending half step), A to C (ascending minor third), C to F (ascending perfect fourth), F to F (ascending unison), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to D# (ascending perfect fourth), D# to E (ascending half step), E to A (ascending perfect fourth), A to G# (descending half step), G# to D# (descending perfect fourth), D# to A (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from A to D# by tritone.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 26 bars · Form: AB

Chords: D♯m7, D♯m6, B/D♯, G♯Maj7, Cm7♭5/F♯, F7, A♯m7, C♯m, Cm7, Bm7, D♯7, G♯69, A7, C7♯5, Fm, FMaj7, A♯7sus4, A♯7♯5, D♯Maj7, Em11, A13, G♯7add13, D♯13, A7♯9.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#