Good Morning Heartache in E

Irene Higginbotham / Ervin Drake / Dan Fisher(1946)swing
Do Re MiC D E
A
B
G/B
G♯m7♭5/D
E69
E69
G♯7♯5
G♯7♯5
F♯7sus4
F♯7♯5
Cm11
F13
E7add13
G/B
G♯m7♭5/D
E69

Chord Diagrams — Good Morning Heartache in E (Guitar)

Display
FingerNoteDegree
Bm7
EADGBE111132
3frEADGBExx23147frEADGBE1111139frEADGBE11x423
Bm6
EADGBE2314
EADGBExx23146frEADGBE2x134x7frEADGBE111234
G/B
7frEADGBE111432
EADGBE2133frEADGBE1113425frEADGBE11x243
EMaj7
EADGBE312
EADGBE333xx14frEADGBE111x437frEADGBE111324
G♯m7♭5/D
EADGBExx13
EADGBE2x341x6frEADGBE222xx111frEADGBEx1324x
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
Am
EADGBEx231
2frEADGBE444x15frEADGBE1111347frEADGBEx1342
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
E69
EADGBE22221
6frEADGBE11x2349frEADGBE11111x11frEADGBE11134
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2
G♯7♯5
4frEADGBE1x234
6frEADGBExx14239frEADGBEx324111frEADGBE11x432
C♯m
EADGBEx4213x
4frEADGBE1113426frEADGBE1132x49frEADGBE111134
C♯Maj7
EADGBE111x43
4frEADGBE1113246frEADGBE11xxx39frEADGBE1x342x
F♯7sus4
EADGBE111134
4frEADGBExx13247frEADGBE11x2349frEADGBE111134
F♯7♯5
EADGBE1x234x
4frEADGBExx14237frEADGBEx43129frEADGBE11x432
BMaj7
EADGBE111324
4frEADGBE111xx47frEADGBE1114239frEADGBE11333x
Cm11
EADGBE11x234
EADGBE1111x26frEADGBE1113428frEADGBE111114
F13
EADGBE111324
EADGBE1112347frEADGBE44x2138frEADGBE111134
E7add13
E - G♯ - B - D - C♯
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
F7♯9
EADGBE111324
EADGBExx21347frEADGBEx2134x10frEADGBE111x23

Good Morning Heartache in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through B to B (ascending unison), B to G (descending major third), G to E (descending minor third), E to G# (ascending major third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to A (ascending minor third), A to G# (descending half step), G# to G (descending half step), G to B (ascending major third), B to E (ascending perfect fourth), E to F (ascending half step), F to G# (ascending minor third), G# to C# (ascending perfect fourth), C# to C# (ascending unison), C# to F# (ascending perfect fourth), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to C (ascending half step), C to F (ascending perfect fourth), F to E (descending half step), E to B (descending perfect fourth), B to F (ascending tritone). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to B by tritone.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing2/2 · 26 bars · Form: AB

Chords: Bm7, Bm6, G/B, EMaj7, G♯m7♭5/D, C♯7, F♯m7, Am, G♯m7, Gm7, B7, E69, F7, G♯7♯5, C♯m, C♯Maj7, F♯7sus4, F♯7♯5, BMaj7, Cm11, F13, E7add13, B13, F7♯9.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E