BITTERSWEET in G#

Sam Jones(1975)swing
Do Re MiC D E
A
B
G7sus4
F♯7sus4
F7sus4
E7sus4
D♯7sus4
G♯13
G♯/C
G7sus4
F♯7sus4
F7sus4
E7sus4
D♯7sus4
G♯13
G♯/C

Chord Diagrams — BITTERSWEET in G# (Guitar)

Display
FingerNoteDegree
G7sus4
EADGBE1123
3frEADGBE1111348frEADGBE11x23410frEADGBE111134
F♯7sus4
EADGBE111134
4frEADGBExx13247frEADGBE11x2349frEADGBE111134
F7sus4
EADGBE111134
6frEADGBE1112348frEADGBE11113410frEADGBE11xx34
E7sus4
EADGBE23
5frEADGBE11x2347frEADGBE1111349frEADGBE11xx23
D♯7sus4
EADGBExx1324
4frEADGBE11x2346frEADGBE11113411frEADGBE111134
G♯
EADGBE11132x
4frEADGBE1113426frEADGBE11x2438frEADGBE111432
C♯
EADGBE11x432
4frEADGBE1112346frEADGBE1113249frEADGBE111342
D♯m7
EADGBExx1423
6frEADGBE1111327frEADGBExx231411frEADGBE111114
G♯13
EADGBE111432
4frEADGBE1113244frEADGBE11123410frEADGBE44x213
C♯7
EADGBEx3241x
4frEADGBE111x346frEADGBE1114329frEADGBE111132
G♯7
EADGBE111xx2
4frEADGBE1111326frEADGBE11x32411frEADGBE111134
C♯6
EADGBEx4231x
4frEADGBE3333x16frEADGBE1114239frEADGBE11x324
G♯/C
8frEADGBE111432
EADGBE11132x4frEADGBE1113426frEADGBE11x243
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
A♯m9
2frEADGBExx2413
4frEADGBE113x246frEADGBE11113411frEADGBEx2134x
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132

BITTERSWEET in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G to F# (descending half step), F# to F (descending half step), F to E (descending half step), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to G by major third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 41 bars · Form: AB

Chords: G7sus4, F♯7sus4, F7sus4, E7sus4, D♯7sus4, G♯, C♯, D♯m7, G♯13, C♯7, G♯7, C♯6, G♯/C, Fm7, A♯m9, D♯7.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#