Do Re MiC D E

BITTERSWEET

Sam Jones(1975)4/4swing
G7sus4
F♯7sus4
F7sus4
E7sus4
D♯7sus4
G♯13
G♯/E
G7sus4
F♯7sus4
F7sus4
E7sus4
D♯7sus4
G♯13
G♯/E

Chord Diagrams — BITTERSWEET in G# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G7sus4
3frEADGBE111134
EADGBE1123
8frEADGBE11x234
10frEADGBE111134
F♯7sus4
EADGBE111134
4frEADGBExx1324
7frEADGBE11x234
9frEADGBE111134
F7sus4
EADGBE111134
6frEADGBE111234
8frEADGBE111134
10frEADGBE11xx34
E7sus4
EADGBE23
5frEADGBE11x234
7frEADGBE111134
9frEADGBE11xx23
D♯7sus4
EADGBExx1324
4frEADGBE11x234
6frEADGBE111134
11frEADGBE111134
G♯
EADGBE11132x
4frEADGBE111342
6frEADGBE11x243
8frEADGBE111432
C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
G♯13
EADGBE111432
4frEADGBE111324
4frEADGBE111234
10frEADGBE44x213
D♯m7
EADGBExx1423
6frEADGBE111132
7frEADGBExx2314
11frEADGBE111114
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
C♯6
EADGBEx4231x
4frEADGBE3333x1
6frEADGBE111423
9frEADGBE11x324
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
G♯/E
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
A♯m9
4frEADGBE113x24
2frEADGBExx2413
6frEADGBE111134
11frEADGBEx2134x
D♯7
6frEADGBE111x34
EADGBExx1324
8frEADGBE111xx2
11frEADGBE111132

Explore More

BITTERSWEET in G#

Key of G#

G# major (or Ab) lives at fret 4 on the low E string. All chords require barre technique, making it less common in guitar-centric songwriting but standard in piano-driven pop. Guitarists often use a capo to access friendlier shapes. G# is a intermediate-advanced-level key on guitar because the open G string is a half step below the root, creating dissonance — avoid letting it ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G to F# (descending half step), F# to F (descending half step), F to E (descending half step), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to C# (ascending perfect fourth), C# to G# (descending perfect fourth), G# to D# (descending perfect fourth), D# to C# (descending whole step), C# to C# (ascending unison), C# to G# (descending perfect fourth), G# to F (descending minor third), F to G# (ascending minor third), G# to A# (ascending whole step), A# to D# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to G by major third.

Scales for Improvisation

G# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 41 bars · Form: AB

Chords: G7sus4, F♯7sus4, F7sus4, E7sus4, D♯7sus4, G♯, C♯, G♯13, D♯m7, C♯7, C♯6, G♯7, Fm7, G♯/E, A♯m9, D♯7.

Scales for Improvisation G# bebop, G# bebop major.

Diatonic chords: See all chords in the key of G#