Do Re MiC D E

BITTERSWEET

Sam Jones(1975)4/4swing
G♯7sus4
G7sus4
F♯7sus4
F7sus4
E7sus4
A13
G♯7sus4
G7sus4
F♯7sus4
F7sus4
E7sus4
A13

Chord Diagrams — BITTERSWEET in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
G♯7sus4
4frEADGBE111134
EADGBE1122xx
9frEADGBE11x234
11frEADGBE111134
G7sus4
3frEADGBE111134
EADGBE1123
8frEADGBE11x234
10frEADGBE111134
F♯7sus4
EADGBE111134
4frEADGBExx1324
7frEADGBE11x234
9frEADGBE111134
F7sus4
EADGBE111134
6frEADGBE111234
8frEADGBE111134
10frEADGBE11xx34
E7sus4
EADGBE23
5frEADGBE11x234
7frEADGBE111134
9frEADGBE11xx23
A
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
D
EADGBExx132
2frEADGBE111432
5frEADGBE111234
10frEADGBE111342
A13
EADGBEx123
3frEADGBE4231
5frEADGBE111324
11frEADGBE44x213
Em7
EADGBE2
EADGBE11423
7frEADGBE111132
8frEADGBExx2314
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
D6
EADGBExx23
3frEADGBEx4231x
5frEADGBE3333x1
7frEADGBE111134
A7
EADGBEx23
EADGBE111x2
5frEADGBE111132
7frEADGBEx1324
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
A/E
EADGBEx234
2frEADGBE111x4
5frEADGBE111342
7frEADGBEx1243
Bm9
EADGBEx1234
3frEADGBE222x14
7frEADGBE111134
10frEADGBE112234
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2

Explore More

BITTERSWEET in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G# to G (descending half step), G to F# (descending half step), F# to F (descending half step), F to E (descending half step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to E (descending perfect fourth), E to D (descending whole step), D to D (ascending unison), D to A (descending perfect fourth), A to F# (descending minor third), F# to A (ascending minor third), A to B (ascending whole step), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to G# by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 41 bars · Form: AB

Chords: G♯7sus4, G7sus4, F♯7sus4, F7sus4, E7sus4, A, D, A13, Em7, D7, D6, A7, F♯m7, A/E, Bm9, E7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A