BITTERSWEET in A

Sam Jones(1975)swing
Do Re MiC D E
A
B
G♯7sus4
G7sus4
F♯7sus4
F7sus4
E7sus4
A13
A/C♯
G♯7sus4
G7sus4
F♯7sus4
F7sus4
E7sus4
A13
A/C♯

Chord Diagrams — BITTERSWEET in A (Guitar)

Display
FingerNoteDegree
G♯7sus4
EADGBE1122xx
4frEADGBE1111349frEADGBE11x23411frEADGBE111134
G7sus4
EADGBE1123
3frEADGBE1111348frEADGBE11x23410frEADGBE111134
F♯7sus4
EADGBE111134
4frEADGBExx13247frEADGBE11x2349frEADGBE111134
F7sus4
EADGBE111134
6frEADGBE1112348frEADGBE11113410frEADGBE11xx34
E7sus4
EADGBE23
5frEADGBE11x2347frEADGBE1111349frEADGBE11xx23
A
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
D
EADGBExx132
2frEADGBE1114325frEADGBE11123410frEADGBE111342
Em7
EADGBE2
EADGBE114237frEADGBE1111328frEADGBExx2314
A13
EADGBEx123
3frEADGBE42315frEADGBE11132411frEADGBE44x213
D7
EADGBExx213
3frEADGBEx3241x5frEADGBE11113410frEADGBE111132
A7
EADGBEx23
EADGBE111x25frEADGBE1111327frEADGBEx1324
D6
EADGBExx23
3frEADGBEx4231x5frEADGBE3333x17frEADGBE111134
A/C♯
EADGBEx234
2frEADGBE111x45frEADGBE1113427frEADGBEx1243
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
Bm9
EADGBEx1234
3frEADGBE222x147frEADGBE11113410frEADGBE112234
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2

BITTERSWEET in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through G# to G (descending half step), G to F# (descending half step), F# to F (descending half step), F to E (descending half step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to E (ascending whole step), E to A (ascending perfect fourth), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to D (ascending perfect fourth), D to A (descending perfect fourth), A to F# (descending minor third), F# to B (ascending perfect fourth), B to E (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from E to G# by major third.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 41 bars · Form: AB

Chords: G♯7sus4, G7sus4, F♯7sus4, F7sus4, E7sus4, A, D, Em7, A13, D7, A7, D6, A/C♯, F♯m7, Bm9, E7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A