Do Re MiC D E

BITTERSWEET

Sam Jones(1975)4/4swing
A7sus4
G♯7sus4
G7sus4
F♯7sus4
F7sus4
A♯13
A♯/E
A7sus4
G♯7sus4
G7sus4
F♯7sus4
F7sus4
A♯13
A♯/E

Chord Diagrams — BITTERSWEET in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A7sus4
5frEADGBE111134
EADGBEx23
7frEADGBEx1324
10frEADGBE11x234
G♯7sus4
4frEADGBE111134
EADGBE1122xx
9frEADGBE11x234
11frEADGBE111134
G7sus4
3frEADGBE111134
EADGBE1123
8frEADGBE11x234
10frEADGBE111134
F♯7sus4
EADGBE111134
4frEADGBExx1324
7frEADGBE11x234
9frEADGBE111134
F7sus4
EADGBE111134
6frEADGBE111234
8frEADGBE111134
10frEADGBE11xx34
A♯
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
D♯
EADGBExx1243
3frEADGBE11x432
6frEADGBE11x234
8frEADGBE111xx4
A♯13
EADGBE44x12
4frEADGBE1132
6frEADGBE111234
12frEADGBE44x213
Fm7
EADGBE111113
3frEADGBExx1423
8frEADGBE111132
9frEADGBExx2314
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
D♯6
EADGBE11xx34
4frEADGBEx4231x
6frEADGBE3333x1
10frEADGBE2x143x
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
A♯/E
3frEADGBE11143x
EADGBE11x234
6frEADGBE111342
8frEADGBE11x243
Cm9
EADGBEx1243
EADGBEx21344
6frEADGBEx13244
8frEADGBE111134
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2

Explore More

BITTERSWEET in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A to G# (descending half step), G# to G (descending half step), G to F# (descending half step), F# to F (descending half step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to A# (descending perfect fourth), A# to F (descending perfect fourth), F to D# (descending whole step), D# to D# (ascending unison), D# to A# (descending perfect fourth), A# to G (descending minor third), G to A# (ascending minor third), A# to C (ascending whole step), C to F (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A by major third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 41 bars · Form: AB

Chords: A7sus4, G♯7sus4, G7sus4, F♯7sus4, F7sus4, A♯, D♯, A♯13, Fm7, D♯7, D♯6, A♯7, Gm7, A♯/E, Cm9, F7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#