BITTERSWEET in A#

Sam Jones(1975)swing
Do Re MiC D E
A
B
A7sus4
G♯7sus4
G7sus4
F♯7sus4
F7sus4
A♯13
A♯/D
A7sus4
G♯7sus4
G7sus4
F♯7sus4
F7sus4
A♯13
A♯/D

Chord Diagrams — BITTERSWEET in A# (Guitar)

Display
FingerNoteDegree
A7sus4
EADGBEx23
5frEADGBE1111347frEADGBEx132410frEADGBE11x234
G♯7sus4
EADGBE1122xx
4frEADGBE1111349frEADGBE11x23411frEADGBE111134
G7sus4
EADGBE1123
3frEADGBE1111348frEADGBE11x23410frEADGBE111134
F♯7sus4
EADGBE111134
4frEADGBExx13247frEADGBE11x2349frEADGBE111134
F7sus4
EADGBE111134
6frEADGBE1112348frEADGBE11113410frEADGBE11xx34
A♯
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
D♯
EADGBExx1243
3frEADGBE11x4326frEADGBE11x2348frEADGBE111xx4
Fm7
EADGBE111113
3frEADGBExx14238frEADGBE1111329frEADGBExx2314
A♯13
EADGBE44x12
4frEADGBE11326frEADGBE11123412frEADGBE44x213
D♯7
EADGBExx1324
6frEADGBE111x348frEADGBE111xx211frEADGBE111132
A♯7
EADGBE111x34
6frEADGBE1111328frEADGBE11x32411frEADGBEx3241x
D♯6
EADGBE11xx34
4frEADGBEx4231x6frEADGBE3333x110frEADGBE2x143x
A♯/D
EADGBE11x234
3frEADGBE11143x6frEADGBE1113428frEADGBE11x243
Gm7
3frEADGBE111113
5frEADGBE11x4238frEADGBE11x23410frEADGBE111132
Cm9
EADGBE2222x1
EADGBEx12436frEADGBE333x128frEADGBE111134
F7
EADGBE111132
3frEADGBE11x3248frEADGBE11113410frEADGBE111xx2

BITTERSWEET in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through A to G# (descending half step), G# to G (descending half step), G to F# (descending half step), F# to F (descending half step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to F (ascending whole step), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth), D# to A# (descending perfect fourth), A# to D# (ascending perfect fourth), D# to A# (descending perfect fourth), A# to G (descending minor third), G to C (ascending perfect fourth), C to F (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to A by major third.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 41 bars · Form: AB

Chords: A7sus4, G♯7sus4, G7sus4, F♯7sus4, F7sus4, A♯, D♯, Fm7, A♯13, D♯7, A♯7, D♯6, A♯/D, Gm7, Cm9, F7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#