BITTERSWEET in B

Sam Jones(1975)swing
Do Re MiC D E
A
B
A♯7sus4
A7sus4
G♯7sus4
G7sus4
F♯7sus4
B/D♯
A♯7sus4
A7sus4
G♯7sus4
G7sus4
F♯7sus4
B/D♯

Chord Diagrams — BITTERSWEET in B (Guitar)

Display
FingerNoteDegree
A♯7sus4
EADGBE111x34
EADGBE1122xx6frEADGBE1111348frEADGBExx1324
A7sus4
EADGBEx23
5frEADGBE1111347frEADGBEx132410frEADGBE11x234
G♯7sus4
EADGBE1122xx
4frEADGBE1111349frEADGBE11x23411frEADGBE111134
G7sus4
EADGBE1123
3frEADGBE1111348frEADGBE11x23410frEADGBE111134
F♯7sus4
EADGBE111134
4frEADGBExx13247frEADGBE11x2349frEADGBE111134
B
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
E
EADGBE231
2frEADGBExx12434frEADGBE1114327frEADGBE111234
F♯m7
EADGBE111113
4frEADGBExx14239frEADGBE11113210frEADGBExx2314
B13
EADGBE44x213
EADGBE1111344frEADGBE1114327frEADGBE111234
E7
EADGBE21
5frEADGBEx3241x7frEADGBE1111349frEADGBE111xx2
B7
EADGBEx2134
EADGBE1111344frEADGBE111xx27frEADGBE111132
E6
EADGBE2314
EADGBE111345frEADGBEx4231x7frEADGBE3333x1
B/D♯
EADGBE111234
4frEADGBE111xx47frEADGBE1113429frEADGBE11x243
G♯m7
4frEADGBE111113
6frEADGBE11x4239frEADGBE11x23x11frEADGBE111132
C♯m9
EADGBE2222x1
5frEADGBE222x147frEADGBE333x129frEADGBE111134
F♯7
EADGBE111132
4frEADGBE11x3247frEADGBEx3241x9frEADGBE111134

BITTERSWEET in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through A# to A (descending half step), A to G# (descending half step), G# to G (descending half step), G to F# (descending half step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to F# (ascending whole step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to A# by major third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 41 bars · Form: AB

Chords: A♯7sus4, A7sus4, G♯7sus4, G7sus4, F♯7sus4, B, E, F♯m7, B13, E7, B7, E6, B/D♯, G♯m7, C♯m9, F♯7.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B