Do Re MiC D E

BITTERSWEET

Sam Jones(1975)4/4swing
A♯7sus4
A7sus4
G♯7sus4
G7sus4
F♯7sus4
A♯7sus4
A7sus4
G♯7sus4
G7sus4
F♯7sus4

Chord Diagrams — BITTERSWEET in B (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
A♯7sus4
EADGBE1122xx
EADGBE111x34
6frEADGBE111134
8frEADGBExx1324
A7sus4
EADGBEx23
5frEADGBE111134
7frEADGBEx1324
10frEADGBE11x234
G♯7sus4
EADGBE1122xx
4frEADGBE111134
9frEADGBE11x234
11frEADGBE111134
G7sus4
EADGBE1123
3frEADGBE111134
8frEADGBE11x234
10frEADGBE111134
F♯7sus4
EADGBE111134
4frEADGBExx1324
7frEADGBE11x234
9frEADGBE111134
B
EADGBE111234
4frEADGBE111xx4
7frEADGBE111342
9frEADGBE11x243
E
2frEADGBExx1243
EADGBE231
4frEADGBE111432
7frEADGBE111234
B13
EADGBE111134
EADGBE44x213
4frEADGBE111432
7frEADGBE111234
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
E7
EADGBE21
5frEADGBEx3241x
7frEADGBE111134
9frEADGBE111xx2
E6
EADGBE2314
EADGBE11134
5frEADGBEx4231x
7frEADGBE3333x1
B7
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
7frEADGBE111132
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
B/E
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
C♯m9
EADGBEx21344
5frEADGBE222x14
7frEADGBEx13244
9frEADGBE111134
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134

Explore More

BITTERSWEET in B

Key of B

B major mixes barre and open elements. The B chord itself is a barre at fret 2, but E and A are comfortable open chords forming the IV and V. The open B string rings as the root, allowing creative drone-based arrangements. B is a intermediate-level key on guitar because the open B string rings as the root and the open E strings provide the 4th — useful for sus4 voicings and drone effects. This key mixes open and barre shapes, making it a good intermediate challenge that builds fretboard fluency.

Voice Leading

The bass line moves through A# to A (descending half step), A to G# (descending half step), G# to G (descending half step), G to F# (descending half step), F# to B (ascending perfect fourth), B to E (ascending perfect fourth), E to B (descending perfect fourth), B to F# (descending perfect fourth), F# to E (descending whole step), E to E (ascending unison), E to B (descending perfect fourth), B to G# (descending minor third), G# to B (ascending minor third), B to C# (ascending whole step), C# to F# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to A# by major third.

Scales for Improvisation

B major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, B Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 41 bars · Form: AB

Chords: A♯7sus4, A7sus4, G♯7sus4, G7sus4, F♯7sus4, B, E, B13, F♯m7, E7, E6, B7, G♯m7, B/E, C♯m9, F♯7.

Scales for Improvisation B bebop, B bebop major.

Diatonic chords: See all chords in the key of B