Do Re MiC D E

BITTERSWEET

Sam Jones(1975)4/4swing
F7sus4
E7sus4
D♯7sus4
D7sus4
C♯7sus4
F♯13
F♯/E
F7sus4
E7sus4
D♯7sus4
D7sus4
C♯7sus4
F♯13
F♯/E

Chord Diagrams — BITTERSWEET in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F7sus4
6frEADGBE111234
EADGBE111134
8frEADGBE111134
10frEADGBE11xx34
E7sus4
5frEADGBE11x234
EADGBE23
7frEADGBE111134
9frEADGBE11xx23
D♯7sus4
6frEADGBE111134
EADGBExx1324
4frEADGBE11x234
11frEADGBE111134
D7sus4
5frEADGBE111134
EADGBExx214
3frEADGBEx2341x
10frEADGBE111134
C♯7sus4
6frEADGBExxx123
EADGBE11x234
4frEADGBE111134
9frEADGBE111134
F♯
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234
B
7frEADGBE111342
EADGBE111234
4frEADGBE111xx4
9frEADGBE11x243
F♯13
7frEADGBEx4231
EADGBE2314
EADGBE111234
9frEADGBE111134
C♯m7
9frEADGBE111114
4frEADGBE111x32
5frEADGBExx2314
11frEADGBExx1423
B7
7frEADGBE111132
EADGBEx2134
EADGBE111134
4frEADGBE111xx2
B6
7frEADGBE1x324x
EADGBEx312x
EADGBE3333x1
9frEADGBE11xx34
F♯7
7frEADGBEx3241x
EADGBE111132
4frEADGBE11x324
9frEADGBE111134
D♯m7
7frEADGBExx2314
EADGBExx1423
6frEADGBE111132
11frEADGBE111114
F♯/E
6frEADGBE111432
EADGBE111342
4frEADGBE11x243
9frEADGBE111234
G♯m9
7frEADGBE221341
EADGBE11143
4frEADGBE111134
9frEADGBEx21344
C♯7
6frEADGBE111432
EADGBEx3241x
4frEADGBE111x34
9frEADGBE111132

Explore More

BITTERSWEET in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through F to E (descending half step), E to D# (descending half step), D# to D (descending half step), D to C# (descending half step), C# to F# (ascending perfect fourth), F# to B (ascending perfect fourth), B to F# (descending perfect fourth), F# to C# (descending perfect fourth), C# to B (descending whole step), B to B (ascending unison), B to F# (descending perfect fourth), F# to D# (descending minor third), D# to F# (ascending minor third), F# to G# (ascending whole step), G# to C# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C# to F by major third.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 41 bars · Form: AB

Chords: F7sus4, E7sus4, D♯7sus4, D7sus4, C♯7sus4, F♯, B, F♯13, C♯m7, B7, B6, F♯7, D♯m7, F♯/E, G♯m9, C♯7.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#