Do Re MiC D E

BITTERSWEET

Sam Jones(1975)4/4swing
C7sus4
B7sus4
A♯7sus4
A7sus4
G♯7sus4
C♯13
C♯/E
C7sus4
B7sus4
A♯7sus4
A7sus4
G♯7sus4
C♯13
C♯/E

Chord Diagrams — BITTERSWEET in C# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C7sus4
5frEADGBE11xx23
EADGBE11x234
3frEADGBE111134
8frEADGBE111134
B7sus4
4frEADGBE1122xx
EADGBEx123
2frEADGBE111134
7frEADGBE111134
A♯7sus4
EADGBE1122xx
EADGBE111x34
6frEADGBE111134
8frEADGBExx1324
A7sus4
EADGBEx23
5frEADGBE111134
7frEADGBEx1324
10frEADGBE11x234
G♯7sus4
EADGBE1122xx
4frEADGBE111134
9frEADGBE11x234
11frEADGBE111134
C♯
EADGBE11x432
4frEADGBE111234
6frEADGBE111324
9frEADGBE111342
F♯
EADGBE111342
4frEADGBE11x243
6frEADGBE111432
9frEADGBE111234
C♯13
EADGBEx4231
4frEADGBE111134
7frEADGBE222341
9frEADGBE111234
G♯m7
4frEADGBE111113
6frEADGBE11x423
9frEADGBE11x23x
11frEADGBE111132
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
F♯6
4frEADGBE111x34
EADGBE2x143x
EADGBE11x324
9frEADGBE3333x1
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
A♯m7
6frEADGBE111113
EADGBE111x32
EADGBExx2314
8frEADGBE11x423
C♯/E
6frEADGBE111324
EADGBE11x432
4frEADGBE111234
9frEADGBE111342
D♯m9
7frEADGBExx2413
4frEADGBEx21344
9frEADGBEx13244
11frEADGBE111134
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134

Explore More

BITTERSWEET in C#

Key of C#

C# major (or Db) sits in barre chord territory across the fretboard. Every chord demands precise barring, but the payoff is a bright, crystalline sound a half step above C that cuts through a band mix. C# is a intermediate-advanced-level key on guitar because no open strings fall within the key naturally, so every chord requires full barre technique. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through C to B (descending half step), B to A# (descending half step), A# to A (descending half step), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth), F# to C# (descending perfect fourth), C# to G# (descending perfect fourth), G# to F# (descending whole step), F# to F# (ascending unison), F# to C# (descending perfect fourth), C# to A# (descending minor third), A# to C# (ascending minor third), C# to D# (ascending whole step), D# to G# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from G# to C by major third.

Scales for Improvisation

C# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, C# Mixolydian adds the flat seventh for an authentic blues-rock edge.

swing4/4 · 41 bars · Form: AB

Chords: C7sus4, B7sus4, A♯7sus4, A7sus4, G♯7sus4, C♯, F♯, C♯13, G♯m7, F♯7, F♯6, C♯7, A♯m7, C♯/E, D♯m9, G♯7.

Scales for Improvisation C# bebop, C# bebop major.

Diatonic chords: See all chords in the key of C#