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Best Is Yet To Come (Page 2), The

Coleman Cy4/4medium-swing

Chord Diagrams — Best Is Yet To Come (Page 2), The in G (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Em
2frEADGBE11342
EADGBE23
7frEADGBE111342
9frEADGBE4312xx
C7/F
3frEADGBE111134
EADGBEx3241
5frEADGBE111xx2
8frEADGBE111132
Em6
EADGBE11132
EADGBE123
5frEADGBE11x324
8frEADGBExx2314
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
G7
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
C♯7♯11
EADGBEx213
4frEADGBE111x23
8frEADGBE111234
9frEADGBE111123
C7
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
8frEADGBE111132
D7♭9
2frEADGBExx431
4frEADGBE11x234
5frEADGBE11x24
8frEADGBE3241xx
G13
3frEADGBE111324
EADGBE321
3frEADGBE11x234
9frEADGBEx21334
F♯7♭9♭13
F♯ - A♯ - C♯ - E - G - D
B7♭9
EADGBE11x234
5frEADGBE3241xx
7frEADGBE111x23
8frEADGBE11xx23
C9
EADGBE221334
7frEADGBE112344
7frEADGBE131214
9frEADGBExx2143
A7sus4
EADGBEx23
5frEADGBE111134
7frEADGBEx1324
10frEADGBE11x234
A7
EADGBE111x2
EADGBEx23
5frEADGBE111132
7frEADGBEx1324
Dm7
EADGBExx312
5frEADGBE111132
6frEADGBExx2314
10frEADGBE111113
Em7
EADGBE2
EADGBE11423
7frEADGBE111132
8frEADGBExx2314
F6
EADGBE11x324
3frEADGBE111x34
6frEADGBEx4231x
8frEADGBE113333
C6
EADGBEx4231
3frEADGBE3333x1
7frEADGBE2x143x
8frEADGBE11x324
D♯dim7
EADGBExx1324
5frEADGBE11x234
7frEADGBExx1324
10frEADGBE112x3x
C6/F
EADGBEx4231
3frEADGBE3333x1
7frEADGBE2x143x
8frEADGBE11x324
D♯13
5frEADGBE44x213
6frEADGBE111134
9frEADGBE11423
11frEADGBE111234
G♯maj7
6frEADGBE11x333
4frEADGBE111423
9frEADGBEx3241x
11frEADGBE111324
G♯7
6frEADGBE11x324
EADGBE111xx2
4frEADGBE111132
11frEADGBE111134
G♯6
6frEADGBE111x34
EADGBE1111x3
3frEADGBE2x143x
9frEADGBEx4231x
G♯aug
5frEADGBE11xx2x
EADGBE11432x
4frEADGBE1x423x
9frEADGBE11x32x
G♯
4frEADGBE111342
EADGBE11132x
6frEADGBE11x243
8frEADGBE111432
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132

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Best Is Yet To Come (Page 2), The in G

Key of G

G major is the singer-songwriter's key. The open G, B, and D strings spell out the full G major triad with zero fretting. Add the open high E for a Gadd6 shimmer. Nearly every diatonic chord (Em, Am, C, D) has a comfortable open voicing. G is a beginner-level key on guitar because the open G, B, and D strings form a complete G major triad without fretting a single note, and the open low E adds a rich 6th color. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through E to C (descending major third), C to E (ascending major third), E to D (descending whole step), D to G (ascending perfect fourth), G to C# (ascending tritone), C# to C (descending half step), C to D (ascending whole step), D to G (ascending perfect fourth), G to F# (descending half step), F# to B (ascending perfect fourth), B to C (ascending half step), C to A (descending minor third), A to A (ascending unison), A to D (ascending perfect fourth), D to E (ascending whole step), E to F (ascending half step), F to C (descending perfect fourth), C to D# (ascending minor third), D# to C (descending minor third), C to D# (ascending minor third), D# to G# (ascending perfect fourth), G# to G# (ascending unison), G# to G# (ascending unison), G# to G# (ascending unison), G# to G# (ascending unison), G# to F (descending minor third), F to A# (ascending perfect fourth), A# to D# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D# to E by half step.

Scales for Improvisation

G major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, G Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 32 bars · Form: CCDA

Chords: Em, C7/F, Em6, D7, G7, C♯7♯11, C7, D7♭9, G13, F♯7♭9♭13, B7♭9, C9, A7sus4, A7, Dm7, Em7, F6, C6, D♯dim7, C6/F, D♯13, G♯maj7, G♯7, G♯6, G♯aug, G♯, F7, A♯7, D♯7.

Scales for Improvisation G bebop, G bebop major.

Diatonic chords: See all chords in the key of G