Do Re MiC D E

Best Is Yet To Come (Page 2), The

Coleman Cy4/4medium-swing

Chord Diagrams — Best Is Yet To Come (Page 2), The in E (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
C♯m
4frEADGBE111342
EADGBEx4213x
6frEADGBE1132x4
9frEADGBE111134
A7/F
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
C♯m6
5frEADGBExx2314
EADGBE11x324
8frEADGBE2x134x
9frEADGBE111234
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
A♯7♯11
5frEADGBE11123x
EADGBEx123
8frEADGBExx1234
12frEADGBE11x234
A7
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
B7♭9
5frEADGBE3241xx
EADGBE11x234
7frEADGBE111x23
8frEADGBE11xx23
E13
5frEADGBE1342
EADGBE213
EADGBE123
7frEADGBE111134
D♯7♭9♭13
D♯ - G - A♯ - C♯ - E - B
G♯7♭9
5frEADGBE11xx23
EADGBE111x2
4frEADGBE11xx23
10frEADGBE11x234
A9
5frEADGBE111324
2frEADGBE431
EADGBE11x32
11frEADGBEx21333
F♯7sus4
4frEADGBExx1324
EADGBE111134
7frEADGBE11x234
9frEADGBE111134
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134
Bm7
3frEADGBExx2314
EADGBE111132
7frEADGBE111113
9frEADGBE11x423
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
D6
3frEADGBEx4231x
EADGBExx23
5frEADGBE3333x1
7frEADGBE111134
A6
4frEADGBE2x143x
EADGBE1111x
5frEADGBE113x24
10frEADGBEx4231x
Cdim7
EADGBE11x234
EADGBExx1324
7frEADGBE112x3x
10frEADGBE11xx34
A6/F
EADGBE1111x
4frEADGBE2x143x
5frEADGBE113x24
10frEADGBEx4231x
C13
2frEADGBE44x213
3frEADGBE111134
6frEADGBE222341
8frEADGBE111324
Fmaj7
3frEADGBE11x333
EADGBExx321
EADGBE111423
8frEADGBE111324
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
F6
3frEADGBE111x34
EADGBE11x324
6frEADGBEx4231x
8frEADGBE113333
Faug
EADGBExx4231
6frEADGBE11x32x
8frEADGBEx1x342
10frEADGBE11432x
F
EADGBE111342
3frEADGBE11x243
5frEADGBE111432
8frEADGBE111234
D7
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134
10frEADGBE111132
G7
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
C7
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
8frEADGBE111132

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Best Is Yet To Come (Page 2), The in E

Key of E

E major is arguably guitar's most powerful key. The open low E and high E strings ring sympathetically as the root, while the open B provides the fifth. This triple reinforcement gives E-based riffs and chords unmatched depth and volume. E is a beginner-level key on guitar because both the low E and high E strings ring as the root, and the open B is the fifth — three open strings reinforce the tonic chord. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through C# to A (descending major third), A to C# (ascending major third), C# to B (descending whole step), B to E (ascending perfect fourth), E to A# (ascending tritone), A# to A (descending half step), A to B (ascending whole step), B to E (ascending perfect fourth), E to D# (descending half step), D# to G# (ascending perfect fourth), G# to A (ascending half step), A to F# (descending minor third), F# to F# (ascending unison), F# to B (ascending perfect fourth), B to C# (ascending whole step), C# to D (ascending half step), D to A (descending perfect fourth), A to C (ascending minor third), C to A (descending minor third), A to C (ascending minor third), C to F (ascending perfect fourth), F to F (ascending unison), F to F (ascending unison), F to F (ascending unison), F to F (ascending unison), F to D (descending minor third), D to G (ascending perfect fourth), G to C (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from C to C# by half step.

Scales for Improvisation

E major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, E Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 32 bars · Form: CCDA

Chords: C♯m, A7/F, C♯m6, B7, E7, A♯7♯11, A7, B7♭9, E13, D♯7♭9♭13, G♯7♭9, A9, F♯7sus4, F♯7, Bm7, C♯m7, D6, A6, Cdim7, A6/F, C13, Fmaj7, F7, F6, Faug, F, D7, G7, C7.

Scales for Improvisation E bebop, E bebop major.

Diatonic chords: See all chords in the key of E