Do Re MiC D E

Best Is Yet To Come (Page 2), The

Coleman Cy4/4medium-swing

Chord Diagrams — Best Is Yet To Come (Page 2), The in A# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
Gm
3frEADGBE111134
EADGBE2134
5frEADGBExx1342
10frEADGBE111342
D♯7/F
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
Gm6
EADGBE2x1344
3frEADGBE111234
5frEADGBE111x32
8frEADGBE11x324
F7
3frEADGBE11x324
EADGBE111132
8frEADGBE111134
10frEADGBE111xx2
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
E7♯11
EADGBE12
3frEADGBE3142
6frEADGBE11x234
11frEADGBE111234
D♯7
EADGBExx1324
6frEADGBE111x34
8frEADGBE111xx2
11frEADGBE111132
F7♭9
EADGBE11xx23
EADGBE111423
7frEADGBE11x234
11frEADGBE3241xx
A♯13
EADGBE44x12
4frEADGBE1132
6frEADGBE111234
12frEADGBE44x213
A7♭9♭13
A - C♯ - E - G - B♭ - F
D7♭9
2frEADGBExx431
4frEADGBE11x234
5frEADGBE11x24
8frEADGBE3241xx
D♯9
5frEADGBEx21334
EADGBExx132
10frEADGBE3142xx
11frEADGBE111324
C7sus4
5frEADGBE11xx23
EADGBE11x234
3frEADGBE111134
8frEADGBE111134
C7
5frEADGBE111xx2
EADGBEx3241
3frEADGBE111134
8frEADGBE111132
Fm7
3frEADGBExx1423
EADGBE111113
8frEADGBE111132
9frEADGBExx2314
Gm7
3frEADGBE111113
5frEADGBE11x423
8frEADGBE11x234
10frEADGBE111132
G♯6
3frEADGBE2x143x
EADGBE1111x3
6frEADGBE111x34
9frEADGBEx4231x
D♯6
4frEADGBEx4231x
EADGBE11xx34
6frEADGBE3333x1
10frEADGBE2x143x
F♯dim7
4frEADGBExx1324
EADGBE112x3x
EADGBE111234
8frEADGBE111234
D♯6/F
4frEADGBEx4231x
EADGBE11xx34
6frEADGBE3333x1
10frEADGBE2x143x
F♯13
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
Bmaj7
EADGBE111324
4frEADGBE111xx4
7frEADGBE111423
9frEADGBE11333x
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
B6
EADGBE3333x1
EADGBEx312x
7frEADGBE1x324x
9frEADGBE11xx34
Baug
3frEADGBExx4231
EADGBEx21x
7frEADGBE1x423x
12frEADGBE11x32
B
4frEADGBE111xx4
EADGBE111234
7frEADGBE111342
9frEADGBE11x243
G♯7
4frEADGBE111132
EADGBE111xx2
6frEADGBE11x324
11frEADGBE111134
C♯7
4frEADGBE111x34
EADGBEx3241x
6frEADGBE111432
9frEADGBE111132
F♯7
4frEADGBE11x324
EADGBE111132
7frEADGBEx3241x
9frEADGBE111134

Explore More

Best Is Yet To Come (Page 2), The in A#

Key of A#

A# (Bb) major requires barre chords rooted at fret 1 on the A string or fret 6 on the E string. Despite the barre demands, it is a common key in funk, New Orleans R&B, and brass band music. The open D string can ring as the major third for added color. A# is a intermediate-level key on guitar because the open D string is the major 3rd of Bb, adding a bright color if allowed to ring. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through G to D# (descending major third), D# to G (ascending major third), G to F (descending whole step), F to A# (ascending perfect fourth), A# to E (ascending tritone), E to D# (descending half step), D# to F (ascending whole step), F to A# (ascending perfect fourth), A# to A (descending half step), A to D (ascending perfect fourth), D to D# (ascending half step), D# to C (descending minor third), C to C (ascending unison), C to F (ascending perfect fourth), F to G (ascending whole step), G to G# (ascending half step), G# to D# (descending perfect fourth), D# to F# (ascending minor third), F# to D# (descending minor third), D# to F# (ascending minor third), F# to B (ascending perfect fourth), B to B (ascending unison), B to B (ascending unison), B to B (ascending unison), B to B (ascending unison), B to G# (descending minor third), G# to C# (ascending perfect fourth), C# to F# (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F# to G by half step.

Scales for Improvisation

A# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 32 bars · Form: CCDA

Chords: Gm, D♯7/F, Gm6, F7, A♯7, E7♯11, D♯7, F7♭9, A♯13, A7♭9♭13, D7♭9, D♯9, C7sus4, C7, Fm7, Gm7, G♯6, D♯6, F♯dim7, D♯6/F, F♯13, Bmaj7, B7, B6, Baug, B, G♯7, C♯7, F♯7.

Scales for Improvisation A# bebop, A# bebop major.

Diatonic chords: See all chords in the key of A#