Do Re MiC D E

Best Is Yet To Come (Page 2), The

Coleman Cy4/4medium-swing

Chord Diagrams — Best Is Yet To Come (Page 2), The in A (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
F♯m
4frEADGBE11x342
EADGBE111134
5frEADGBExx3241
9frEADGBE111342
D7/F
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
F♯m6
4frEADGBE111x32
EADGBE2x1334
7frEADGBE11x324
8frEADGBEx2413x
E7
5frEADGBEx3241x
EADGBE21
7frEADGBE111134
9frEADGBE111xx2
A7
5frEADGBE111132
EADGBEx23
EADGBE111x2
7frEADGBEx1324
D♯7♯11
5frEADGBE11x234
EADGBExx1234
6frEADGBE11x23x
10frEADGBE111234
D7
5frEADGBE111134
EADGBExx213
3frEADGBEx3241x
10frEADGBE111132
E7♭9
4frEADGBE1134
EADGBE312
6frEADGBE11x234
10frEADGBE3241xx
A13
3frEADGBE4231
EADGBEx123
5frEADGBE111324
11frEADGBE44x213
G♯7♭9♭13
G♯ - C - D♯ - F♯ - A - E
C♯7♭9
EADGBE11x234
4frEADGBEx1234
7frEADGBE3241x
9frEADGBExx1324
D9
4frEADGBE221334
7frEADGBEx1234
9frEADGBE11234x
10frEADGBE111324
B7sus4
4frEADGBE1122xx
EADGBEx123
2frEADGBE111134
7frEADGBE111134
B7
4frEADGBE111xx2
EADGBEx2134
EADGBE111134
7frEADGBE111132
Em7
EADGBE11423
EADGBE2
7frEADGBE111132
8frEADGBExx2314
F♯m7
EADGBE111113
4frEADGBExx1423
9frEADGBE111132
10frEADGBExx2314
G6
EADGBE21
EADGBE2x143x
5frEADGBE111x34
10frEADGBE3333x1
D6
EADGBExx23
3frEADGBEx4231x
5frEADGBE3333x1
7frEADGBE111134
Fdim7
EADGBE1x23
EADGBE11xx34
7frEADGBE111234
12frEADGBE3x142x
D6/F
EADGBExx23
3frEADGBEx4231x
5frEADGBE3333x1
7frEADGBE111134
F13
EADGBE111324
EADGBE111234
7frEADGBE44x213
8frEADGBE111134
A♯maj7
EADGBE11x324
3frEADGBE111xx4
6frEADGBE111423
8frEADGBE11333x
A♯7
EADGBE111x34
6frEADGBE111132
8frEADGBE11x324
11frEADGBEx3241x
A♯6
EADGBE3333x1
5frEADGBE2134
6frEADGBE113x24
10frEADGBEx4231x
A♯aug
EADGBEx1423x
3frEADGBE11432x
6frEADGBExx4231
7frEADGBE11xx2x
A♯
EADGBE11x234
3frEADGBE11143x
6frEADGBE111342
8frEADGBE11x243
G7
EADGBE321
3frEADGBE111132
5frEADGBE11x324
10frEADGBE111134
C7
EADGBEx3241
3frEADGBE111134
5frEADGBE111xx2
8frEADGBE111132
F7
EADGBE111132
3frEADGBE11x324
8frEADGBE111134
10frEADGBE111xx2

Explore More

Best Is Yet To Come (Page 2), The in A

Key of A

A major is a rock and blues cornerstone. The open A string delivers a strong root, while both E strings ring as the fifth. Classic A-D-E progressions practically play themselves with open cowboy chords. The open high E is the fifth, reinforcing power. A is a beginner-level key on guitar because the open A string is the root and the open E strings provide the fifth above and below, creating a massive low-end anchor. Beginners will find this key approachable since most chords use open voicings with minimal stretching.

Voice Leading

The bass line moves through F# to D (descending major third), D to F# (ascending major third), F# to E (descending whole step), E to A (ascending perfect fourth), A to D# (ascending tritone), D# to D (descending half step), D to E (ascending whole step), E to A (ascending perfect fourth), A to G# (descending half step), G# to C# (ascending perfect fourth), C# to D (ascending half step), D to B (descending minor third), B to B (ascending unison), B to E (ascending perfect fourth), E to F# (ascending whole step), F# to G (ascending half step), G to D (descending perfect fourth), D to F (ascending minor third), F to D (descending minor third), D to F (ascending minor third), F to A# (ascending perfect fourth), A# to A# (ascending unison), A# to A# (ascending unison), A# to A# (ascending unison), A# to A# (ascending unison), A# to G (descending minor third), G to C (ascending perfect fourth), C to F (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from F to F# by half step.

Scales for Improvisation

A major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, A Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 32 bars · Form: CCDA

Chords: F♯m, D7/F, F♯m6, E7, A7, D♯7♯11, D7, E7♭9, A13, G♯7♭9♭13, C♯7♭9, D9, B7sus4, B7, Em7, F♯m7, G6, D6, Fdim7, D6/F, F13, A♯maj7, A♯7, A♯6, A♯aug, A♯, G7, C7, F7.

Scales for Improvisation A bebop, A bebop major.

Diatonic chords: See all chords in the key of A