Do Re MiC D E

Best Is Yet To Come (Page 2), The

Coleman Cy4/4medium-swing

Chord Diagrams — Best Is Yet To Come (Page 2), The in F# (Guitar)

Display
FingerNoteDegree
Starting fret
Open123456789101112
D♯m
EADGBExx3241
EADGBExx1342
6frEADGBE111342
11frEADGBE111134
B7/F
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
D♯m6
EADGBE111x32
4frEADGBE11x324
7frEADGBExx2314
11frEADGBE111234
C♯7
EADGBEx3241x
4frEADGBE111x34
6frEADGBE111432
9frEADGBE111132
F♯7
EADGBE111132
4frEADGBE11x324
7frEADGBEx3241x
9frEADGBE111134
C7♯11
EADGBE11x234
3frEADGBE111x23
7frEADGBE111234
10frEADGBExx1234
B7
EADGBE111134
EADGBEx2134
4frEADGBE111xx2
7frEADGBE111132
C♯7♭9
EADGBE11x234
4frEADGBEx1234
7frEADGBE3241x
9frEADGBExx1324
F♯13
EADGBE111234
EADGBE2314
7frEADGBEx4231
9frEADGBE111134
F7♭9♭13
F - A - C - E♭ - G♭ - D♭
A♯7♭9
EADGBEx123
4frEADGBE3241xx
6frEADGBE111x23
12frEADGBE11x234
B9
EADGBEx21334
4frEADGBE111432
7frEADGBE111324
8frEADGBExx2143
G♯7sus4
EADGBE1122xx
4frEADGBE111134
9frEADGBE11x234
11frEADGBE111134
G♯7
EADGBE111xx2
4frEADGBE111132
6frEADGBE11x324
11frEADGBE111134
C♯m7
4frEADGBE111x32
5frEADGBExx2314
9frEADGBE111114
11frEADGBExx1423
D♯m7
6frEADGBE111132
EADGBExx1423
7frEADGBExx2314
11frEADGBE111114
E6
5frEADGBEx4231x
EADGBE2314
EADGBE11134
7frEADGBE3333x1
B6
7frEADGBE1x324x
EADGBEx312x
EADGBE3333x1
9frEADGBE11xx34
Ddim7
7frEADGBEx2431
EADGBExx23
4frEADGBE11x234
10frEADGBE111234
B6/F
7frEADGBE1x324x
EADGBEx312x
EADGBE3333x1
9frEADGBE11xx34
D13
8frEADGBE4231
EADGBExx412
5frEADGBE111134
10frEADGBE1x234x
Gmaj7
10frEADGBE11x324
EADGBE321
3frEADGBE111423
5frEADGBE11333x
G7
10frEADGBE111134
EADGBE321
3frEADGBE111132
5frEADGBE11x324
G6
10frEADGBE3333x1
EADGBE21
EADGBE2x143x
5frEADGBE111x34
Gaug
8frEADGBE11x32x
EADGBE321x
3frEADGBE1x423x
4frEADGBE11xx2x
G
7frEADGBE111432
EADGBE213
3frEADGBE111342
5frEADGBE11x243
E7
7frEADGBE111134
EADGBE21
5frEADGBEx3241x
9frEADGBE111xx2
A7
7frEADGBEx1324
EADGBEx23
EADGBE111x2
5frEADGBE111132
D7
10frEADGBE111132
EADGBExx213
3frEADGBEx3241x
5frEADGBE111134

Explore More

Best Is Yet To Come (Page 2), The in F#

Key of F#

F# major pushes guitarists into full barre territory at fret 2 and beyond. No open chords exist naturally, but the key rewards advanced players with dark, powerful voicings. Common in metal and progressive rock where low tunings bring it closer to standard pitch. F# is a intermediate-advanced-level key on guitar because the open B string is the 4th scale degree and the open high E is the minor 7th, both usable as color tones. Expect to rely on barre chords throughout, which builds hand strength and unlocks the entire fretboard.

Voice Leading

The bass line moves through D# to B (descending major third), B to D# (ascending major third), D# to C# (descending whole step), C# to F# (ascending perfect fourth), F# to C (ascending tritone), C to B (descending half step), B to C# (ascending whole step), C# to F# (ascending perfect fourth), F# to F (descending half step), F to A# (ascending perfect fourth), A# to B (ascending half step), B to G# (descending minor third), G# to G# (ascending unison), G# to C# (ascending perfect fourth), C# to D# (ascending whole step), D# to E (ascending half step), E to B (descending perfect fourth), B to D (ascending minor third), D to B (descending minor third), B to D (ascending minor third), D to G (ascending perfect fourth), G to G (ascending unison), G to G (ascending unison), G to G (ascending unison), G to G (ascending unison), G to E (descending minor third), E to A (ascending perfect fourth), A to D (ascending perfect fourth). A half-step bass movement creates a strong leading-tone pull that demands resolution. The root motion by larger intervals (fourths and fifths) gives each chord change a strong, decisive character. When the progression loops, the bass returns from D to D# by half step.

Scales for Improvisation

F# major pentatonic works because every note is either a chord tone or a safe passing tone — there are no avoid notes. For soloing, this means you can play freely without clashing. Over dominant seventh chords, F# Mixolydian adds the flat seventh for an authentic blues-rock edge.

medium-swing4/4 · 32 bars · Form: CCDA

Chords: D♯m, B7/F, D♯m6, C♯7, F♯7, C7♯11, B7, C♯7♭9, F♯13, F7♭9♭13, A♯7♭9, B9, G♯7sus4, G♯7, C♯m7, D♯m7, E6, B6, Ddim7, B6/F, D13, Gmaj7, G7, G6, Gaug, G, E7, A7, D7.

Scales for Improvisation F# bebop, F# bebop major.

Diatonic chords: See all chords in the key of F#